My Yesterday in Pictures Format
I’ve simply built my daily walking & painting up to the point where I need the time for these two vital parts of keeping me healthy and/or sane, lol!
Plus, instead of having to work images into the My Day Ahead series posts, this new series will enable me to keep those as pure text, and supplement with images from a variety of possibilities here. It’s an experiment of course, so we’ll see 😊
Sunny Start to the Day
A cold 30 degree morning with the promise of abundant sunshine and warmer temps 😊
And we were able to take in several nice walks today! ❤️
First Varnishing, Ever! 😊
Late this morning, I finally got a bottle of quality varnish, Gamblin Gamvar Picture Varnish, and finally tried my 1st experiment!
Woman in Moonlight, as my image on Fine Art America shows, didn’t need any help to show well when 1st painted. Lately though, it had dulled, and darkened. This first application brought out the depths and nuances that’d made me feel it was complete ❤️
What I’ll be waiting to see now, as I see the varnish dry, is if one thin coat will be enough. I’ve already begun to see a slight unevenness as it dries (early evening).
But I’ll keep experimenting…so much at stake!
To see the creation of Woman in Moonlight, images and commentary and “story” of it 😊 please see my blog post at – https://felipeadanlerma.com/2019/01/29/deciding-when-my-painting-is-done-part-4-discoverng-and-painting-a-story-woman-in-moonlight/
Sheila’s Famous Lunch for Today! ❤️
A new carnival squash, one just a touch larger than our 1st one recently. I cut it in half and this time then cut an X into the exposed halves, plus Sheila gave it longer in the oven. It paid off! Our 1st experience with this new squash was delicious, and this one was even better, softer and easier to eat!
I didn’t think I’d be able to eat my whole half of the squash, plus the rice pilaf and mussels – but I did 💕
Still unnamed since this past spring, I’d cast this 12×16 to the side, nearly to the trash, and almost to Goodwill. But it got lost in the shuffle of our move and stutter of two surgeries, and now it’s survived long enough for a hard 2nd look and benefit of my intensified interest in values & value gradations. I also see it as a “strong” candidate for my new varnishing experiments, lol!
Seeing it anew, with the lighting way below par (it being evening now), I still am impressed with the texture, both its rhythms and directional movements.
This shot does show a bit of highlight enhancements I made this evening. It needs a bit more. Then the question’ ll be if that, maybe a few small other changes, and the varnishing, will make this potential gem a candidate for one of Creative Arts Society’s modern art venues. We’ll see 😊
My Day Ahead series posts elaborate an both my day ahead & the day past, my yesterday
My Day Ahead for Sunday, Nov 17th, posts well after this post, and may carry a bit more commentary about the images above. It’ll also automatically show up via the link above when posted – thanks everyone!
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My Latest Posts On My Website!
- January 26, 2022 – Free Online Art Workshop Feb 01-04’22, via Nancy Hillis #TheArtistsJourney #TheAdjacentPossible – and, Why I Think It’ll Be WorthwhileThis post is to let folks know that Nancy Hillis, author of a book I’ve been reading, The Adjacent Possible, is have a painting creativity workshop – free – Feb 1-4 at noon CST. Each class is 30-60 minutes long, and will be available as a recording for those who sign up. There’ll also be a YouTube presentation….
- January 25, 2022 – Reblog / Review, Dianne Mize Expands on Her Recent Art Tip, The Visual Path, via #ContemporaryArtist Mary Whyte’s Painting : Pearl ( Working the Painting Language – The Triangular Path )Working the Painting Language – The Triangular Path, via Dianne Mize https://archive.aweber.com/newsletter/awlist4319336/MTI5Mjc2NDI=/working-the-painting-language-the-triangular-path.htm Dianne begins her art tip post with this intriguing paragraph ( all bold emphasis hers ) —
- January 24, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Pink Impressionist Abstract 1My newest panoramic impressionist abstract color block on a 12×24 gallery wrapped canvas is – Pink! 😊 And my one line description for this art work on it’s page at Fine Art America reads —
- January 23, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Blue Impressionist Abstract 1 – New 12×24 #LyricalAbstract #AcrylicPaintingIt’s kinda neat how these impressionist abstract panoramas I’ve been working on conjure up so many varying images, or at least semi-suggested images, lol! I see waves and sky and beach, the horizon line shifting from lower 1/3 to upper 1/3 depending how I squint 😊 Working bottom to top, I can even see….
- January 22, 2022 – Rethinking (re-engineering?) How I Post About Images I Upload to #FineArtAmericaMy most emerging challenge as I ramp up being able to and wanting to paint more often – each day if possible – is time. Not a big surprise for all the folks with lots of interests and/or commitments, even for us 70+ year olds, lol! Though, surprisingly, just as difficult to navigate the demands and siren calls of attention in our lives. Kinda nice though, that kind of problem has persisted from when….
- January 21, 2022 – New 16×20 Inch #Acrylic Upload @FineArtAmerica – Healthy Vines Happy HeartsA relatively simple work with a slightly more complex arrangement of paint application than my usual. That’s a mouthful, lol! But pretty accurate in term of my process! 😊 First, I laid in a faint yellow base, a mix of watercolor and acrylic. Next I laid over a….
- January 20, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 2As mentioned in my prev post, my then problem and now radical solution in re to a painting I’d struggled with, done the most I felt I could, and was still quite unhappy with, began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, re listening to one’s creative needs and acting on them. I’d wanted to add a violet toned painting to one of my ongoing series, one involving 12×24 panoramic monochromatic impressionist abstract work. It began well enough, with….
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