So there, in the 3 images above, between my featured image of my gesso-textured oil layin from 2005, my current watercolor / acrylic from 2021, and my 1986 acrylic, is a pattern of mine of searching for how best, or at all, to not only work in texture into my painting, but to actually have my slightly sculptured rendition be the painting.

What’s especially amazing to me is how I’ve cycled or circled back around to today’s acrylics (sometimes now adding watercolors) from where I began in the early 1980s, and all along searched for ways to create texture and sculpt my figures.

And what I’m beginning to wonder about is, how and why am I seeing figures, partial or abstracted or otherwise, so often now, no matter how I texture or sculpt or color even my abstract work? Much like what happened, the one time in the 80s with my abstract, Autumn Friends. The figures weren’t intentional, and I am so grateful I didn’t swipe the canvas clean of them, or, trying to “configure” them “more clearly” lol!

I’ll offer one of the more brazen 😏 more recent ( just before Christmas ) example; brazen ’cause now that my wife and I “see” the figures, we can’t unsee them!

While other examples of seen figures, are small, tiny, even playful, like The Smile in the Moon –


And except for Fantasy Walk above, the seen figures are all unintentionally so.

Joan Mitchell, abstract artist, seems to say, I think, there are the landscapes inside us, and figures seem to be a big part of the landscape inside me I think. The book I’m reading, The Adjacent Possible, also points to this vast often unrealized world within us (see Tweet below).

All this new-to-me information is so much better than when I nearly automatically thought – when I’d see an unintended figure or landscape in my abstract – that I’d done something wrong, and all that goes with thinking like that, lol!

So I am very happy being able to, even living here in Texas, semi-isolated like so many of us worldwide due to the virus, and still be able to learn, feel better about what I am doing, and actually be able to share these things with other folks!

So stay well everyone! Be brave, be daring – creatively! And be as careful as you feel the need to be otherwise 🙏 ❤️

Adan

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• May 16, 2022 – New Diptych : “Freedom” Almost Finished, Panels Need Signing ( front & back )May 16, 2022
  And what I’ve come across figuring out how to make prints of this that folks can work with, ie, close to or within standard size dimensions, was how to get a 22×28 image convert into – in 2 examples – an 8×10 or 12×18, and I came up with this as a starting prototype….
• May 15, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, “Spring Rising”May 15, 2022
  I’d done a lot of deep or darker night-like paintings for a bit, so it felt pretty nice to lighten up my palette for awhile. Working back & forth, from the two approaches – playing the potential good from both approaches seems to suit my Libra middle, lol!
• May 14, 2022 – My 1st Classical Stretch Workout with Miranda Esmonde-White ( via YouTube ) in Many Months!May 14, 2022
  Though similar to SilverSneakers’ classes, Miranda’s classes focus largely on making the fascia network in our bodies more fluid. Some movements are very similar, but more extended, dance-like, reflecting Miranda’s ballerina and dance background!
• May 13, 2022 – “Angel” in AVAA’s 1st Austin Art Space Gallery and Studio Group Show in a Long Time!May 13, 2022
  Just a very quick post to announce that my 18×24 inch acrylic on stretched canvas, Angel – has been accepted into Austin Visual Arts Association’s ( AVAA) 1st group show since ( I believe ) the pandemic. Definitely been a long time coming and feels great to be able to be showing with this long time Austin art association again! 😊
• May 12, 2022 – Updated My #Twitter Header Image and Pinned TweetMay 12, 2022
  Though Twitter’s future is up in the air, or ether, or virtual landscape; and my own “footprint” there and social media in general is micro-whatever, lol! — it’s still my micro existence, and I want to care for it best I can 😊
• May 11, 2022 – Reblog / Review : Joan Mitchell, “I carry my landscapes around with me” – #PolyptychsMay 11, 2022
  …my reading of Joan Mitchell’s work – while often including much of that same connection, speaks more directly to me about the impact of the canvas before me in that process. Especially most specifically in regard to Joan’s work with multi-panel / multi-canvas works of art – ie, polyptychs!
• May 10, 2022 – BW Impressionist Abstract 1, Completed!May 10, 2022
  A few posts back, about a new diptych in-progress, Freedom, in the 2nd 1/2 of the post, I mentioned having another in-progress work, BW Impressionist Abstract 1, that the 9 year old ( our youngest grandchild ) said he really liked, but wanted more “gold” in it, and pointed out where & how much more gold paint 😊 So I took him at his word & did the changes –

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Thanks again, everyone! 😊

Adan

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