So there, in the 3 images above, between my featured image of my gesso-textured oil layin from 2005, my current watercolor / acrylic from 2021, and my 1986 acrylic, is a pattern of mine of searching for how best, or at all, to not only work in texture into my painting, but to actually have my slightly sculptured rendition be the painting.

What’s especially amazing to me is how I’ve cycled or circled back around to today’s acrylics (sometimes now adding watercolors) from where I began in the early 1980s, and all along searched for ways to create texture and sculpt my figures.

And what I’m beginning to wonder about is, how and why am I seeing figures, partial or abstracted or otherwise, so often now, no matter how I texture or sculpt or color even my abstract work? Much like what happened, the one time in the 80s with my abstract, Autumn Friends. The figures weren’t intentional, and I am so grateful I didn’t swipe the canvas clean of them, or, trying to “configure” them “more clearly” lol!

I’ll offer one of the more brazen 😏 more recent ( just before Christmas ) example; brazen ’cause now that my wife and I “see” the figures, we can’t unsee them!

While other examples of seen figures, are small, tiny, even playful, like The Smile in the Moon –


And except for Fantasy Walk above, the seen figures are all unintentionally so.

Joan Mitchell, abstract artist, seems to say, I think, there are the landscapes inside us, and figures seem to be a big part of the landscape inside me I think. The book I’m reading, The Adjacent Possible, also points to this vast often unrealized world within us (see Tweet below).

All this new-to-me information is so much better than when I nearly automatically thought – when I’d see an unintended figure or landscape in my abstract – that I’d done something wrong, and all that goes with thinking like that, lol!

So I am very happy being able to, even living here in Texas, semi-isolated like so many of us worldwide due to the virus, and still be able to learn, feel better about what I am doing, and actually be able to share these things with other folks!

So stay well everyone! Be brave, be daring – creatively! And be as careful as you feel the need to be otherwise 🙏 ❤️

Adan

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My Latest Posts On My Website!

• January 20, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 2January 20, 2022
  As mentioned in my prev post, my then problem and now radical solution in re to a painting I’d struggled with, done the most I felt I could, and was still quite unhappy with, began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, re listening to one’s creative needs and acting on them. I’d wanted to add a violet toned painting to one of my ongoing series, one involving 12×24 panoramic monochromatic impressionist abstract work. It began well enough, with….
• January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1January 19, 2022
  It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the lines of my other mostly-or-all monochromatic impressionist abstract work I’ve posted about ( my red and blue samples further down ).
• January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne MizeJanuary 18, 2022
  Dianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2 examples in my header, but an entirely different style image, one from one of my favorite painters, John Singer Sargent, and ties it to the two simpler – yet in principle – similar images top of the page.
• January 17, 2022 – Art Delivery to Cypress Grill Austin for a Creative Arts Society Rotating Member ShowingJanuary 17, 2022
  I’m happy to post I’m placing my 1st piece of art work at a Creative Arts Society member venue in over a year and a half!
• January 16, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Fantasy Landscape – New 16×20 #LyricalAbstract #AcrylicPaintingJanuary 16, 2022
  Fantasy Landscape is currently residing at the Old Bakery & Emporium in downtown Austin across from the Texas State Capital. It’s a super playful acrylic I didn’t realize would be “so much” a landscape as it turned out, lol! All part of the “discovery” process inside each artist, often call the landscape inside, probably in more senses than one, as Joan Mitchell has alluded to.
• January 15, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Blue Impressionist Abstract 1January 15, 2022
  Third of my 3 uploaded acrylic color blocks, each 12×24 inches on gallery wrapped canvas, Blue gives me a triad of sorts, the other two paintings being red and yellow. A link to related blog posts is – https://felipeadanlerma.com/?s=Impressionist+abstract I’ve always like panoramas, even in my….
• January 14, 2022 – Painting + Capturing Photos of the Sides of 2 #ImpressionistAbstract Panoramas Accepted by Art for the People Gallery AustinJanuary 14, 2022
  A few posts ago I announced about my art audition for an upcoming show at Austin local gallery, Art for the People, and mentioned I’d had a couple of my Impressionist Abstract panoramas chosen! One, the red version, already had its sides painted, but the newer blue version didn’t, so I got to work right away. Like I tell folks who like hearing ’bout how I put these together, painting the sides almost always takes as long or longer than the painting! Why?

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Thanks again, everyone! 😊

Adan

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