I came across this term just recently, something I’d never even heard any inkling of – Lyrical Abstraction, and the tiny bit I’m coming across is intriguing me — not because of some earth shattering revelations about the style per se, nor, because the term has been around for decades and has seemingly been hidden in plain sight from my perception of it in all my searches about art — but because it describes so much of what I’d like my art to be, and very well may have been since my 1st abstracts with acrylics from the start of the 1980s – something to do with something that rings true to me – my intent in my work, my assumed nearly unconscious hardly-thought-out desire to create work that uplifts, vs discusses. Emotional vs detached reason or idea. And my readers know I love writing ’bout ideas and purposes, esp regarding our communal world health, and even more so, democracy and what I think that means for all of us. But my art is visual. And I’m comfortable with thinking it intuitive, even aspirational. But unconscious? Or emotional? Seems more and more I’ve some things to come to terms with, lol!
I’m listing a few links below, and will work on this more in depth for my next post, as a direct follow up post. I’ve spent the day framing and wiring and preparing work to deliver to the Old Bakery in a few days, plus finishing up several pieces to show as an audition at Art for the People for a possible group show later this month. Plus we got to have the 8 year old overnight for the 1st time in several weeks ’cause of all the holiday stuff, lol!
Not complaining ’bout all that, just plain old tired, in a good way ☺️
So anyway, if you wanna explore the concept of lyrical abstraction, or its history or imagery – here’s some links I’m liking so far. My header image above, tentatively titled “Fantasy Landscape“, which I could only describe as being abstract impressionist when I used it in my previous post, is, I think, a fairly good example of a range of art that fits the concept of lyrical abstraction. I might change my mind ’bout that as I learn more, but what the heck, what’s the point of being an artist if one can’t, at least on rare occasions, get into a self-tussle over terms, art terms that is 😊
Here’s some of those links —
Stay well everyone! Stay curious about your creativity, and stay true to your creativity! 💕
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- January 20, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 2As mentioned in my prev post, my then problem and now radical solution in re to a painting I’d struggled with, done the most I felt I could, and was still quite unhappy with, began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, re listening to one’s creative needs and acting on them. I’d wanted to add a violet toned painting to one of my ongoing series, one involving 12×24 panoramic monochromatic impressionist abstract work. It began well enough, with….
- January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the lines of my other mostly-or-all monochromatic impressionist abstract work I’ve posted about ( my red and blue samples further down ).
- January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne MizeDianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2 examples in my header, but an entirely different style image, one from one of my favorite painters, John Singer Sargent, and ties it to the two simpler – yet in principle – similar images top of the page.
- January 17, 2022 – Art Delivery to Cypress Grill Austin for a Creative Arts Society Rotating Member ShowingI’m happy to post I’m placing my 1st piece of art work at a Creative Arts Society member venue in over a year and a half!
- January 16, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Fantasy Landscape – New 16×20 #LyricalAbstract #AcrylicPaintingFantasy Landscape is currently residing at the Old Bakery & Emporium in downtown Austin across from the Texas State Capital. It’s a super playful acrylic I didn’t realize would be “so much” a landscape as it turned out, lol! All part of the “discovery” process inside each artist, often call the landscape inside, probably in more senses than one, as Joan Mitchell has alluded to.
- January 15, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Blue Impressionist Abstract 1Third of my 3 uploaded acrylic color blocks, each 12×24 inches on gallery wrapped canvas, Blue gives me a triad of sorts, the other two paintings being red and yellow. A link to related blog posts is – https://felipeadanlerma.com/?s=Impressionist+abstract I’ve always like panoramas, even in my….
- January 14, 2022 – Painting + Capturing Photos of the Sides of 2 #ImpressionistAbstract Panoramas Accepted by Art for the People Gallery AustinA few posts ago I announced about my art audition for an upcoming show at Austin local gallery, Art for the People, and mentioned I’d had a couple of my Impressionist Abstract panoramas chosen! One, the red version, already had its sides painted, but the newer blue version didn’t, so I got to work right away. Like I tell folks who like hearing ’bout how I put these together, painting the sides almost always takes as long or longer than the painting! Why?
Thanks again, everyone! 😊