Well, I didn’t really “sneak” 3 additional works into my art audition at Art for the People Gallery here in Austin — but I did pack 3 extra pieces into my car & after they’d seen the 3 they’d asked to see, I asked them if they’d like to see some even newer work, basically blocks of color, with texture, that I had with me?
And they said yes!
The 3 they first asked to see ya’ll’ve seen on my art room walls lately –
Though the work on the easel and around it lower down has changed in the meantime, now looking like this —
Knowing this show & audition was coming up over the holidays, I held those 3 pieces on the wall. I’ll have much more on this once I deliver the work later this month.
Meanwhile, the 3 newer work is part of my Impressionist Abstract series I’ve shown and uploaded to Fine Art America recently, plus one I hadn’t uploaded yet.
Here’s the 2 I’ve uploaded to FAA —
The gallery chose the red color block, plus a blue one I haven’t upload yet; soon as I do I’ll do a post on it, soon I hope!
My plan is to paint the sides of them and I simply hadn’t gotten to doing 2 of them, the yellow and the blue, and the gallery folk’d requested some on-the-wall photo shots including side views with the sides painted.
Yes, I got very busy very quick 🙏 😊
My 71 year old body said, “Really? Now?”
And I said, “Yes, please. Would you like some dark chocolate?”
One has to learn how to deal gently with oneself sometimes ☺️ 🍫
Til I have more info, stay well everyone! I’ll post more as it all develops!
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- January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the lines of my other mostly-or-all monochromatic impressionist abstract work I’ve posted about ( my red and blue samples further down ).
- January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne MizeDianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2 examples in my header, but an entirely different style image, one from one of my favorite painters, John Singer Sargent, and ties it to the two simpler – yet in principle – similar images top of the page.
- January 17, 2022 – Art Delivery to Cypress Grill Austin for a Creative Arts Society Rotating Member ShowingI’m happy to post I’m placing my 1st piece of art work at a Creative Arts Society member venue in over a year and a half!
- January 16, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Fantasy Landscape – New 16×20 #LyricalAbstract #AcrylicPaintingFantasy Landscape is currently residing at the Old Bakery & Emporium in downtown Austin across from the Texas State Capital. It’s a super playful acrylic I didn’t realize would be “so much” a landscape as it turned out, lol! All part of the “discovery” process inside each artist, often call the landscape inside, probably in more senses than one, as Joan Mitchell has alluded to.
- January 15, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Blue Impressionist Abstract 1Third of my 3 uploaded acrylic color blocks, each 12×24 inches on gallery wrapped canvas, Blue gives me a triad of sorts, the other two paintings being red and yellow. A link to related blog posts is – https://felipeadanlerma.com/?s=Impressionist+abstract I’ve always like panoramas, even in my….
- January 14, 2022 – Painting + Capturing Photos of the Sides of 2 #ImpressionistAbstract Panoramas Accepted by Art for the People Gallery AustinA few posts ago I announced about my art audition for an upcoming show at Austin local gallery, Art for the People, and mentioned I’d had a couple of my Impressionist Abstract panoramas chosen! One, the red version, already had its sides painted, but the newer blue version didn’t, so I got to work right away. Like I tell folks who like hearing ’bout how I put these together, painting the sides almost always takes as long or longer than the painting! Why?
Thanks again, everyone! 😊