Abstracts have always been fun for me, and now, via watercolors, once again exploratory, like in the 80s in Galveston 😊

What was cool ‘bout abstract-exploring in watercolor was, though I could also add pigment directly, I could also dab / smear with water! Softening areas, blending, exploring! I’ve circled some of the areas in the “before” version, and you can see in the same areas of the finished left-side version where white and/or water was applied to lighten areas.

This second-abstract-of-2020, I initially explored with heavy doses of pigment. In my first-abstract-of-2020, Ridges of Spring Light below, I used heavy does of water with small dense areas pigment.

Yeah, I’ve got a lot to explore!

And what really makes this exciting for me, is how this type of freely experimenting in abstract form, is how it then loosens and encourages me to do figure / impressionist work like this in-progress work below ❤️

Nothing radical in art per se, but – for me – to loosen my form-figure work like this, yeah, I feel this is a good step for me 😊 And I can say I can definitively see the connection between just having worked on the final version of Abstract 1 (watercolor top of post) and moving onto this piece.

I’d done the background weeks ago, knowing what I wanted to put in there, in terms of a figure, but couldn’t get a handle on how to present her. I’ve gotten better at figure outlines and figure silhouettes, but I wanted something more filled out yet feathery.

As a side note, the Eiffel Tower in the distance is also becoming a familiar motif in my recent work. Those’ll start showing up on Fine Art America in the coming weeks and months as I continue to work my way through finished work needing posting to FAA – though some still need a spray fix and varnish.

Final note, the knee/leg on her is still “very” messed up, lol!

It’s a perfect example of my recent Twitter post w/a comment-quote of Monet’s about painting what one “sees” – not, as I did in this work in progress, what I “thought” it should look like 😏

There are “other” parts of her I have off too, lol, but I like the feeling I’ve been able to hint at so far ❤️

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Meanwhile my newsletter via Fine Art America is taking more definite form, with significant discounts for my readers for my original work 💕

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Take care everyone! Stay creative and healthy!
Adan

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My Latest Posts On My Website!

• January 22, 2022 – Rethinking (re-engineering?) How I Post About Images I Upload to #FineArtAmericaJanuary 22, 2022
  My most emerging challenge as I ramp up being able to and wanting to paint more often – each day if possible – is time. Not a big surprise for all the folks with lots of interests and/or commitments, even for us 70+ year olds, lol! Though, surprisingly, just as difficult to navigate the demands and siren calls of attention in our lives. Kinda nice though, that kind of problem has persisted from when….
• January 21, 2022 – New 16×20 Inch #Acrylic Upload @FineArtAmerica – Healthy Vines Happy HeartsJanuary 21, 2022
  A relatively simple work with a slightly more complex arrangement of paint application than my usual. That’s a mouthful, lol! But pretty accurate in term of my process! 😊 First, I laid in a faint yellow base, a mix of watercolor and acrylic. Next I laid over a….
• January 20, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 2January 20, 2022
  As mentioned in my prev post, my then problem and now radical solution in re to a painting I’d struggled with, done the most I felt I could, and was still quite unhappy with, began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, re listening to one’s creative needs and acting on them. I’d wanted to add a violet toned painting to one of my ongoing series, one involving 12×24 panoramic monochromatic impressionist abstract work. It began well enough, with….
• January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1January 19, 2022
  It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the lines of my other mostly-or-all monochromatic impressionist abstract work I’ve posted about ( my red and blue samples further down ).
• January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne MizeJanuary 18, 2022
  Dianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2 examples in my header, but an entirely different style image, one from one of my favorite painters, John Singer Sargent, and ties it to the two simpler – yet in principle – similar images top of the page.
• January 17, 2022 – Art Delivery to Cypress Grill Austin for a Creative Arts Society Rotating Member ShowingJanuary 17, 2022
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• January 16, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Fantasy Landscape – New 16×20 #LyricalAbstract #AcrylicPaintingJanuary 16, 2022
  Fantasy Landscape is currently residing at the Old Bakery & Emporium in downtown Austin across from the Texas State Capital. It’s a super playful acrylic I didn’t realize would be “so much” a landscape as it turned out, lol! All part of the “discovery” process inside each artist, often call the landscape inside, probably in more senses than one, as Joan Mitchell has alluded to.

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Thanks again, everyone! 😊

Adan

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