September 15, 2021 – Birds at Pfluger Bridge Austin @FineArtAmerica

Birds at Pfluger Bridge Austin is an 11×14 oil painting I finished a little over 3 years ago, but never wrote up about individually on my blog.

I realized this was the case when I tried to find my WordPress image from an older blog post to include in my most recent post; about birds of course 😊

Why I hadn’t done a post, announcing when I’d uploaded it to Fine Art America is simply that I hadn’t gotten into that pattern yet, learned to want to do that. Now of course, I nearly always post when I upload something new to FAA. I’ve tried various approaches, starting a series from my 1st uploads in 2016, “most viewed” (which I also do more regularly now), and new uploads (which makes more sense, with my time constraints, ie, wanting time to also paint, stay fit at 70, and sometimes just do nothing, lol!)

You can see a variety of these differing approaches via – https://felipeadanlerma.com/?s=Fine+art+America .

This small painting, Birds at Pfluger Bridge Austin, itself is part of several other threads in my life.

I’d captured the photo for this painting when we lived on the other side of the Barton Creek Greenbelt, the eastern side closer to town, Lady Bird Lake, and the Hike & Bike Trail, of which, Pfluger Pedestrian Bridge touches on all three, crossing the lake, touching both the north and south sides of the trail, and offers walkers east of the greenbelt a way to and from town.

My collection of bird related work on FAA is at – https://felipeadan-lerma.pixels.com/art/birds .

Birds, I’ve come to realize, are related to my more recent attraction & concentration on figure work.

And creatively, this painting also represents the beginning of my shift away from water based oils, back to acrylics and (sorta, because there is much “back to”) with watercolors.

I sense I may be able to capture some of the softness and blending I love about oils, working acrylics onto light molding paste. And watercolors bring me much of that softness and blending I want, though without as much of the texture I also like, unless, again, I apply them onto light molding paste.

So a lot of junctures occurred for me in looking for an image of this painting to include in my previous post –

Soft colors, an abstracted dappleness (via the sky), and curving lines (figures & birds).

And, curiously, a reaching & blending into the sky –

Like my most recent painting –

And at that juncture of conjecture, lol! I close out for the day 😊

Some things, some times, are just meant to be felt ♥️

Adan


Direct link to blog post in tweet ❤️
https://felipeadanlerma.com/2019/04/08/adans-gratitudes-walking-with-birds/

My Related Posts Here On My Blog

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https://www.amazon.com/shop/felipeadanlerma

My Amazon search for “birds” –
https://amzn.to/3yZlJwr

Direct link to Life of Birds on Amazon Prime Video ❤️
https://amzn.to/391i4DH
Direct link to Liz and the Blue Bird on Amazon Prime Video ❤️
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My Latest Posts On My Website!

  • September 25, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, Completed
    Not much difference between the previous post’s study version and the completed version above. As you can tell, from the 2nd duo sets of contrasts below, all I did was soften the upper slanting line separating red and white on the lady’s back. But for me, it….
  • September 24, 2021 – New Most Viewed Image For the Week @FineArtAmerica, Ridges of Spring Light, #watercolor, painted late 2019
    I’ve recently been including Ridges of Spring Light in several of my blog posts about dappled light and masking fluid, not because it was meant to “be” dappled light, or that I used masking fluid creating it, though it does have three distinct areas of canvas (coated with absorbent ground to accept watercolors). No, Ridges of Spring Light contains a sense of dappleness, often created with masking fluid, and I used that image here to illustrate the idea that a variable sense of light sometimes just comes about, even in an abstract.
  • September 23, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, Masking Fluid Removed
    There’s a lot I like about how this looks with the masking fluid gone (removed prev night and slept on the shock of seeing the changes, lol!) – which doesn’t mean though I’m not looking at what to try to improve how I feel about this work 😊 Initially, 1st impression, I was determined to restore & “correct” some of the changes —
  • September 22, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper; 1st Paint Lay-in with Masking Fluid
    At 9×12 on 140lb x watercolor paper, I was able to use my brushes fairly effectively where I wanted them, and applied some Turner masking fluid (with a thin palette knife) “fairly” easy. And yes, some foot proportions are off a bit, lol, and her back blouse almost looks like it’s the front, but all in not too bad toward my primary priority – quickly achieve some degree of dappling look. Once the masking fluid comes off though, it could be very different….
  • September 21, 2021 – Initial Review of “Breath: The New Science of a Lost Art” by James Nestor
    I’d been doing a day to day posting of a continuing study-sketch project with figures in a watercolor landscape and ran into a time roadblock – grandchild, groceries, fitness (walking, yoga, Essentrics), picking up line art to practice-paint at my printer, etc 😊 and wasn’t able to wiggle any more time to work on that project and write about it, so… I took a deep breath and picked up a book (virtually, via my Kindle Reader, lol!) The editorial reviews often mentioned this read like a novel & my intro and beginning pages already confirm that.
  • September 20, 2021 – Dappled Light, “Figures in a Landscape Study” Still Not Done, But, Already a Learning Tool For Me!
    “Learning Tool for Me” is part of my blog title today simply ’cause I’ve looking at this post as specifically geared to get me where I wanna go – keeping in mind my destination is a generalized abstraction of image / feeling / and intuitive aspiration (hopefully including figurative work) & it’s reached a point of development over my previous renditions that I now need to put my resolve into concrete, hopefully creative, useful thoughts for my future directions. Lot of contradictions. Like life. Like me 😊 Here goes (for now) —
  • September 19, 2021 – Dappled Light, “Figures in a Landscape Study” Continued
    Just a quick post updating yesterday’s release showing what I’ve changed/added on to a watercolor on paper I’d 1st posted about on Sept 7th…A bigger factor in today’s image update is the addition of more “white”.

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Thanks again, everyone! 😊

Adan

Artist self portrait - photo of Felipe Adan Lerma on converted railway track bike ferry for the Island Line Trail connecting mainland Vermont to South Hero on Lake Champlain.

Twitter / Instagram / FB @FelipeAdanLerma
Amazon Author Page – https://amzn.to/2YpgyUf
Fine Art America (FAA, Pixels) – https://felipeadan-lerma.pixels.com/

2 comments

  1. Your birds! This painting is beautiful and intriguing – the light in the sky makes me wonder about the weather…the birds are all sitting at slightly different angles, the way birds do, esp when they’ve just landed or are startled. I wonder what’s happened, what’s going to happen! AND it’s all so beautiful to look at!! Btw, looked at the FAA link for your birds…WOW!!!! ….👏👏👏👏👏

    Liked by 1 person

    • Oh, thank you, Robin! Birds are so interesting! Posing all which ways, just like people, lol! Yeah, the photo for it was at Pfluger Pedestrian Bridge here in Austin; a walking bridge over Lady Bird Lake. I think the birds feel comfortable being “way” above all us people, plus they can spot any interesting food 😊

      Like

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