There’s not a lot to elaborate on I can think of right now, why I felt the need, or room so to speak, to tweak out four digital variations, of Awash in Dreams.

Sometimes I spend a lot of time debating which variations to keep, which to toss, I come up with, from any one of my originals. This time around the process just seemed to slip by without as much stutter and hesitation – much the way this painting came about.

One of my first attempts to see what I could produce on transparent absorbent ground on canvas, the milky streaky look is inherent in the way the ground dried. Dick Blick says it should’ve been fully transparent and was very helpful with the order. I’m beginning to think, as my wife and I’ve started using a water filter on our hard Texas water (one of a handful with super hard water, ie, lots of minerals etc), that that may have been the cause of the cloudiness.

Nevertheless, I was determined to experiment anyway 😊

Probably because I saw the painting as, not a throw-away, but an impossible to gauge ahead of time piece, I gave myself liberty with my brush and color work, using accent lines freely. The closest I’ve come to that feel since then I think is, Easy Morning.

Awash in Dreams appeals to me still as a dreamy sweet piece ❤️

My first digital variation, below, I call “Modern” —

Awash in Dreams Modern Digital was an unintended stop along the process to something else I was seeing I could create.

To me, it recalls Modern art pieces I’ve seen but don’t know well enough to recall much in terms of titles or artist – I guess, then, really, just my impression of what modern art kinda looks like, lol! Milton Avery, in a lighter mode, comes to mind, though I pieces of his I remember are clean clear cuts of colors; work I really like btw. I also like the way the colors “flipped” from my original, creating a totally differing feel I think.

Below, is what I couldn’t think but call my Egyptian variation 😊

Awash in Dreams Digital Egyptian, darker, obviously, and just gave me the feel of a stone tomb or Pharoah level quarters, though I even more obviously have no direct experience of either, just from movies & TV! And I probably wouldn’t’ve keep it as a variation to share, except the lighter colors – highlights? – really jumped and gave me the feeling of candle or moonlight. That latter feature’s what confirmed keep this variation, despite it’s similarity to Awash in Dreams Digital Modern.

It’s amazing really, still amazing after all they years of painting & photography, how a tweak in the light can change an image so profoundly, especially in it’s feel.

Below is a clear change of pace, and my first ”small-tile” version of any of my work since nearly a decade ago! That former one didn’t go too well, lol, which tells me why it’s been so long since I tried more digital tile are; the “glass” filter version, though, in that early post I still like a lot – all via Photoshop, “way” back 😊 –
https://felipeadanlerma.com/2011/04/27/playing-my-edge-with-photography-variations/

Awash in Dreams Digital Tile Art —

The clarity of the tile work is more visible on the FAA site, the colors brighter and clearly defined.

I almost didn’t do a mandela for this piece, but thought the grey greens in this version were particularly lovely, especially like for a yoga mat or such 😊

I hope these variations give you both pleasure, and inspiration for your own work, and possibly even affirmation that what you’re doing yourself is really as good or even much better! It’s not a competition, folks will buy what they will buy, like what they will like, but it’s good to see what other artists are coming up with 😊

All the best everyone! Stay healthy! ❤️

Adan

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My Paintings Collection at Fine Art America –
https://fineartamerica.com/profiles/felipeadan-lerma?tab=artworkgalleries&artworkgalleryid=702859&affiliateId=A459979

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My Latest Posts On My Website!

• January 24, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Pink Impressionist Abstract 1January 24, 2022
  My newest panoramic impressionist abstract color block on a 12×24 gallery wrapped canvas is – Pink! 😊 And my one line description for this art work on it’s page at Fine Art America reads —
• January 23, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Blue Impressionist Abstract 1 – New 12×24 #LyricalAbstract #AcrylicPaintingJanuary 23, 2022
  It’s kinda neat how these impressionist abstract panoramas I’ve been working on conjure up so many varying images, or at least semi-suggested images, lol! I see waves and sky and beach, the horizon line shifting from lower 1/3 to upper 1/3 depending how I squint 😊 Working bottom to top, I can even see….
• January 22, 2022 – Rethinking (re-engineering?) How I Post About Images I Upload to #FineArtAmericaJanuary 22, 2022
  My most emerging challenge as I ramp up being able to and wanting to paint more often – each day if possible – is time. Not a big surprise for all the folks with lots of interests and/or commitments, even for us 70+ year olds, lol! Though, surprisingly, just as difficult to navigate the demands and siren calls of attention in our lives. Kinda nice though, that kind of problem has persisted from when….
• January 21, 2022 – New 16×20 Inch #Acrylic Upload @FineArtAmerica – Healthy Vines Happy HeartsJanuary 21, 2022
  A relatively simple work with a slightly more complex arrangement of paint application than my usual. That’s a mouthful, lol! But pretty accurate in term of my process! 😊 First, I laid in a faint yellow base, a mix of watercolor and acrylic. Next I laid over a….
• January 20, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 2January 20, 2022
  As mentioned in my prev post, my then problem and now radical solution in re to a painting I’d struggled with, done the most I felt I could, and was still quite unhappy with, began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, re listening to one’s creative needs and acting on them. I’d wanted to add a violet toned painting to one of my ongoing series, one involving 12×24 panoramic monochromatic impressionist abstract work. It began well enough, with….
• January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1January 19, 2022
  It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the lines of my other mostly-or-all monochromatic impressionist abstract work I’ve posted about ( my red and blue samples further down ).
• January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne MizeJanuary 18, 2022
  Dianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2 examples in my header, but an entirely different style image, one from one of my favorite painters, John Singer Sargent, and ties it to the two simpler – yet in principle – similar images top of the page.

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Thanks again, everyone! 😊

Adan

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