There’s not a lot to elaborate on I can think of right now, why I felt the need, or room so to speak, to tweak out four digital variations, of Awash in Dreams.

Sometimes I spend a lot of time debating which variations to keep, which to toss, I come up with, from any one of my originals. This time around the process just seemed to slip by without as much stutter and hesitation – much the way this painting came about.

One of my first attempts to see what I could produce on transparent absorbent ground on canvas, the milky streaky look is inherent in the way the ground dried. Dick Blick says it should’ve been fully transparent and was very helpful with the order. I’m beginning to think, as my wife and I’ve started using a water filter on our hard Texas water (one of a handful with super hard water, ie, lots of minerals etc), that that may have been the cause of the cloudiness.

Nevertheless, I was determined to experiment anyway 😊

Probably because I saw the painting as, not a throw-away, but an impossible to gauge ahead of time piece, I gave myself liberty with my brush and color work, using accent lines freely. The closest I’ve come to that feel since then I think is, Easy Morning.

Awash in Dreams appeals to me still as a dreamy sweet piece ❤️

My first digital variation, below, I call “Modern” —

Awash in Dreams Modern Digital was an unintended stop along the process to something else I was seeing I could create.

To me, it recalls Modern art pieces I’ve seen but don’t know well enough to recall much in terms of titles or artist – I guess, then, really, just my impression of what modern art kinda looks like, lol! Milton Avery, in a lighter mode, comes to mind, though I pieces of his I remember are clean clear cuts of colors; work I really like btw. I also like the way the colors “flipped” from my original, creating a totally differing feel I think.

Below, is what I couldn’t think but call my Egyptian variation 😊

Awash in Dreams Digital Egyptian, darker, obviously, and just gave me the feel of a stone tomb or Pharoah level quarters, though I even more obviously have no direct experience of either, just from movies & TV! And I probably wouldn’t’ve keep it as a variation to share, except the lighter colors – highlights? – really jumped and gave me the feeling of candle or moonlight. That latter feature’s what confirmed keep this variation, despite it’s similarity to Awash in Dreams Digital Modern.

It’s amazing really, still amazing after all they years of painting & photography, how a tweak in the light can change an image so profoundly, especially in it’s feel.

Below is a clear change of pace, and my first ”small-tile” version of any of my work since nearly a decade ago! That former one didn’t go too well, lol, which tells me why it’s been so long since I tried more digital tile are; the “glass” filter version, though, in that early post I still like a lot – all via Photoshop, “way” back 😊 –
https://felipeadanlerma.com/2011/04/27/playing-my-edge-with-photography-variations/

Awash in Dreams Digital Tile Art —

The clarity of the tile work is more visible on the FAA site, the colors brighter and clearly defined.

I almost didn’t do a mandela for this piece, but thought the grey greens in this version were particularly lovely, especially like for a yoga mat or such 😊

I hope these variations give you both pleasure, and inspiration for your own work, and possibly even affirmation that what you’re doing yourself is really as good or even much better! It’s not a competition, folks will buy what they will buy, like what they will like, but it’s good to see what other artists are coming up with 😊

All the best everyone! Stay healthy! ❤️

Adan

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My Latest Posts On My Website!

• September 22, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper; 1st Paint Lay-in with Masking FluidSeptember 22, 2021
  At 9×12 on 140lb x watercolor paper, I was able to use my brushes fairly effectively where I wanted them, and applied some Turner masking fluid (with a thin palette knife) “fairly” easy. And yes, some foot proportions are off a bit, lol, and her back blouse almost looks like it’s the front, but all in not too bad toward my primary priority – quickly achieve some degree of dappling look. Once the masking fluid comes off though, it could be very different….
• September 21, 2021 – Initial Review of “Breath: The New Science of a Lost Art” by James NestorSeptember 21, 2021
  I’d been doing a day to day posting of a continuing study-sketch project with figures in a watercolor landscape and ran into a time roadblock – grandchild, groceries, fitness (walking, yoga, Essentrics), picking up line art to practice-paint at my printer, etc 😊 and wasn’t able to wiggle any more time to work on that project and write about it, so… I took a deep breath and picked up a book (virtually, via my Kindle Reader, lol!) The editorial reviews often mentioned this read like a novel & my intro and beginning pages already confirm that.
• September 20, 2021 – Dappled Light, “Figures in a Landscape Study” Still Not Done, But, Already a Learning Tool For Me!September 20, 2021
  “Learning Tool for Me” is part of my blog title today simply ’cause I’ve looking at this post as specifically geared to get me where I wanna go – keeping in mind my destination is a generalized abstraction of image / feeling / and intuitive aspiration (hopefully including figurative work) & it’s reached a point of development over my previous renditions that I now need to put my resolve into concrete, hopefully creative, useful thoughts for my future directions. Lot of contradictions. Like life. Like me 😊 Here goes (for now) —
• September 19, 2021 – Dappled Light, “Figures in a Landscape Study” ContinuedSeptember 19, 2021
  Just a quick post updating yesterday’s release showing what I’ve changed/added on to a watercolor on paper I’d 1st posted about on Sept 7th…A bigger factor in today’s image update is the addition of more “white”.
• September 18, 2021 – Dapple Light, My Creative Conundrum and CaldronSeptember 18, 2021
  My regular readers know I’ve been more and more attracted to the idea of being able to paint dappled light, consciously, and hopefully, eventually more spontaneously. I titled my post to include both “conundrum” – which I kept misspelling til I looked it up 😊 – and “caldron” – which I keep feeling my creative heart and mind are swimming in (over their heads) lol!
• September 17, 2021 – New Most Viewed Image For the Week @FineArtAmerica, “Fantasy Walk” : Watercolor on Canvas on Light Molding Paste, #ContemporaryImpressionismSeptember 17, 2021
  Some times, some days, the little things, like the big things, if they are good and hopeful, then they are helpful.
• September 16, 2021 – Reblog(s) : Graham McQuade, Benchmarks 1 & 2 (Acrylic Painting) #figureartSeptember 16, 2021
  This necessarily (on my part) a short post due to some time constraints, although I should add, Graham’s posts will be a quick read. They’re short, tight with information. What will take a little time, if you notice the time 😊 is….

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Thanks again, everyone! 😊

Adan

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