Artist Process
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October 16, 2022 – Working Texture and Figures into Compositions I Like, Part 7 : Danseur en Bleu ( formerly Dancing Turquoise ) Completed in High Key
Though uniformly high key nearly to a fault – even the 9 year old grandson said maybe I needed to add some darker colors 😊 – I’m declaring this work done! I explained to the grandson I totally agreed, but….
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September 28, 2022 – Working Texture and Figures into Compositions I Like, Part 6 : Adding a 5th ( scumbled ) Layer to Danseur en Bleu ( formerly Dancing Turquoise )
I don’t want to forget, souls and spirits that we may be, we are also of and from the Earth we stand upon ❤️
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September 21, 2022 – Working Texture and Figures into Compositions I Like, Part 5 : Adding a 4th ( textured ) Layer to Danseur en Bleu ( formerly Dancing Turquoise )
Much enhanced less subtle, but more vibrant, the current stage of development for Danseur en Bleu is nearing a finish.
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September 19, 2022 – Working Texture and Figures into Compositions I Like, Part 4 : Adding a 3rd ( pink ) Layer to Danseur en Bleu ( formerly Dancing Turquoise )
I only painted a few minutes, ten or so, after mixing matte gel medium and a touch of acrylic rose, and I could only do it because I’m hopeful!
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August 21, 2022 – Working Texture and Figures into Compositions I Like, Part 3 : Finally Adding a 2nd Layer to Danseur en Bleu ( formerly Dancing Turquoise )
It’s been since July 08, 2022 since I first posted about this work-in-progress, and it’s actually was begun late June with the pencil sketch of the woman dancing! Here’s a comparison with the 1st actual painting lay-in from early July —
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July 08, 2022 – Working Texture and Figures into Compositions I Like, Part 2 : Comparing Figure Outlines
It’s nearly ten, time for bed, but I want to follow-up on yesterday’s post showing my newest figure work in-progress, and continue the comparison to figure work since late last year and from right before our move beginning of summer ( 2022 ).
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July 07, 2022 – Working Texture and Figures into Compositions I Like, Part 1 : Using a Full Figure Outline
Today I came closest to my full exercise schedule before our move to our new apartment, and yes, it wore me out, lol! But in a good way 😊 Still, it’s past 8:30 pm, and I almost didn’t get any painting in, but thankfully, did do a bit of in-lay texture dabbling ( not shown…
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June 11, 2022 – Deconstructing My Art Room and Ready for My New One at #TheLadyBird #AustinTexas
Nothing quite as telling that Sheila and I are deep into our move than a contrast look at my art room now ( above ) vs just 3 months ago, lol! 😊
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May 17, 2022 – I Have a Lot of Happenings ( art & personal ) This Week, But Still Finding Moments To Start a New Painting : Morning’s Promise
It’s nice to dance the surface of my canvas as needed. And able ☺️ And right now, a light step, at an easy pace, may give me the time – and energy – to get more than a handful of other needed things also done this week. Not a bad compromise. For now 😊
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May 16, 2022 – New Diptych : “Freedom” Almost Finished, Panels Need Signing ( front & back )
And what I’ve come across figuring out how to make prints of this that folks can work with, ie, close to or within standard size dimensions, was how to get a 22×28 image convert into – in 2 examples – an 8×10 or 12×18, and I came up with this as a starting prototype….
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May 07, 2022 – New Diptych : Freedom, 1st Inlay
Continuing yesterday’s them of simplicity – some days simple being good 😊 – I decided to try a simplified polyptych, a two panel diptych with minimal over-all imagery, though of course open to extended nuancing of some or any portion of the the color fields.
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April 29, 2022 – 3rd Lay-in for New #AcrylicDiptych, Formerly Titled “Seeing” and Now Titled “Eyes of the Universe”
I like to read biographies of artists – Joan Mitchell Lady Painter, Helen Frankenthaler Fierce Pose, Monet – not so much for techniques any more, but for how they thought creatively. What they struggled with, what excited them and meant something dear to them.
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April 28, 2022 – Sometimes It’s Great To Come Across Another Artist’s Thoughts On Art When Worrying ’bout My Own, #Monet
I like to read biographies of artists – Joan Mitchell Lady Painter, Helen Frankenthaler Fierce Pose, Monet – not so much for techniques any more, but for how they thought creatively. What they struggled with, what excited them and meant something dear to them.
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April 20, 2022 – Started a New Diptych : Dawn, Declaring It Done
Working on this painting this morning, adding varying depths of blue and black, here and there, in crevices and ridges and along the edges of textured matte expanses, I felt very strongly trying to force in any degree of red, or even pink, would just not work for me.
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April 19, 2022 – Started a New Diptych : Dawn ( or Desire at Dawn ), 1st 2 In-lays
…about this new in-progress work : It’s tentatively titled Dawn, or Desire at Dawn – if I figure out how to work in some red or pink in a way I’d like, with the feeling of the beginnings of something, like embers; maybe suggestive of those kindling moments before one is fully aware – then…
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April 18, 2022 – Birth of an Atom, New Acrylic Diptych, Part 2 ( now finished! )
I debated strengthening the dark passages on the left side panel to more closely match the right panel, but decided an arbitrary balancing, vs an asymetrical wave motion across the 2 pieces, would hurt the full image more than help. As a libra I tend to want to balance, over-balance at times, everything, lol!
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April 14, 2022 – Birth of an Atom, New Acrylic Diptych ( almost finished! )
Using my last pair ( I think I have one black gesso panel left ) I had on / off fun between chores working up Birth of an Atom. Paint is slashed here and there across between the 2, sometimes seamlessly, sometimes….
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April 10, 2022 – Dragon Dawn, New Acrylic Diptych
In yesterday’s post about my latest, if infrequent, ( print ) sale, I mentioned finishing up another polyptych, this a two-panel piece entitled, Dragon Dawn.
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April 05, 2022 – Experimenting With Polyptychs, Part 3 – Black Panel Diptychs
Though not able yet to paint ( time wise ) at the level I was working before ( chores, obligations, etc ) – I did squeak out a couple of new polyptychs, both diptych 2-panel pieces, each panel a 16×20 black canvas work.
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March 30, 2022 – Experimenting With Polyptychs, Part 2 – Separating, or Joining Panels While Painting : How Does it Affect My Creativity? Detail View : Cut and UnCut Panel Edges
Whether I’ll end up preferring single full canvas works, or multi-panel polyptychs, I honestly don’t know right now. My guess is, I’m gonna like keeping on doing both 😊
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March 29, 2022 – Experimenting With Polyptychs, Part 1 – Separating, or Joining Panels While Painting : How Does it Affect My Creativity?
I don’t have an answer for the title question yet, but I realized, if I wanted to explore that idea/question, I needed to start a blog post thread separate from my initiating blog post series when I 1st started exploring working with multiple canvas panels. I’m calling this new thread – Experimenting With Polyptychs, and…
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March 28, 2022 – Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs, Part 7 – “Migration”
Evidently there’s many mysteries still lurking, glimmering, teasing, from the long shadows of our senior years ❤️ And if you’re a young’un, then just go with the flow & don’t worry about it. You’ll slow down enough one day to begin to catch glimpses of the magic we’re truly all made of 💕
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March 25, 2022 – Another Difference Between Multi-Panel Art ( Polyptychs ) and Single Canvas Work : Working the Edges, on In-Progress “Red Blue on White”
Depending on which side by side panels you glance at, top before before I painted a change, and below being after, you can count at least 4-5 transition edges —
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March 22, 2022 – Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs, ie, Art on 2 or More Panels, Part 6 – Detail Texture Shots of Panel 1of4 ; Full Image Title “Mountains Clouds and Waves”
You can see in the above shot a mix of absorbent ground covered canvas showing through, plus numerous layers mostly palette knifed onto, into and around each other 😊
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March 21, 2022 – Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs, ie, Art on 2 or More Panels, Part 5 – Signing the Backs of Each of 4 Panels
A reader recently commented they looked forward to seeing how I’d sign this new work, there being 4 panels 😊 This part of my signing, and the post about it, is the easier for me to do 1st because this is how I’ve signed the back of each of the 4 polyptych pieces. Signing the…
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March 18, 2022 – Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs, ie, Art on 2 or More Panels, Part 4 – Something New I Didn’t Expect Painting Across 4 Panels!
I think I’ve finished my new painting – “Mountains, Clouds and Waves” – except for the placement(s) of my signature(s) and I’ll do that in probably the next (and final) post (I think, lol!) in this mini series. What I do want to speak to just a bit – because it now seems so obvious…
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March 16, 2022 – Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs, ie, Art on 2 or More Panels, Part 3 – Getting Some Answers
Still a bit more to go, but I’m clarifying to myself 😊 the direction and feeling I want this new more-complex-abstract-than-usual work to go. I’ve definitely chosen to rebalance the 4 panels in favor of the left 2 panels’ lighter balance of swooshes of colors.
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March 15, 2022 – Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs, ie, Art on 2 or More Panels, Part 2
You might be able to tell some of the changes so far on this 4 panel piece painting from the previous day’s shot of the same work from a distance in my still-emerging new set up for my art room, lol!
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March 14, 2022 – Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs, ie, Art on 2 or More Panels, Part 1
I seem to be on an unintended rush to catch up with an equally unintended rash of new paintings I’ve been creating since late last year, and decided, under pressure of not being able to move in the smaller 2nd bedroom in our apartment I call my “art room” 😊
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February 08, 2022 – The Old Adage: Start Many Paintings, Sometimes Results in Finishing Lots of Paintings! Three!
I’ve come across many varied and sometimes surprising mentions of the value of starting many paintings —
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February 01, 2022 – The 8 Year Old Helps with Continuing In-Progress Painting, Walking With the Stars
Back in early January, when I 1st mentioned working on Walking With the Stars, I also mentioned our 8 year old grandson had been ( and is ) a big help in getting this 24×36 complex-textured work along. Now I’m finally remedying that, lol!
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January 26, 2022 – Free Online Art Workshop Feb 01-04’22, via Nancy Hillis #TheArtistsJourney #TheAdjacentPossible – and, Why I Think It’ll Be Worthwhile
This post is to let folks know that Nancy Hillis, author of a book I’ve been reading, The Adjacent Possible, is have a painting creativity workshop – free – Feb 1-4 at noon CST. Each class is 30-60 minutes long, and will be available as a recording for those who sign up. There’ll also be…
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January 25, 2022 – Reblog / Review, Dianne Mize Expands on Her Recent Art Tip, The Visual Path, via #ContemporaryArtist Mary Whyte’s Painting : Pearl ( Working the Painting Language – The Triangular Path )
Working the Painting Language – The Triangular Path, via Dianne Mize https://archive.aweber.com/newsletter/awlist4319336/MTI5Mjc2NDI=/working-the-painting-language-the-triangular-path.htm Dianne begins her art tip post with this intriguing paragraph ( all bold emphasis hers ) —
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January 21, 2022 – New 16×20 Inch #Acrylic Upload @FineArtAmerica – Healthy Vines Happy Hearts
A relatively simple work with a slightly more complex arrangement of paint application than my usual. That’s a mouthful, lol! But pretty accurate in term of my process! 😊 First, I laid in a faint yellow base, a mix of watercolor and acrylic. Next I laid over a….
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January 20, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 2
As mentioned in my prev post, my then problem and now radical solution in re to a painting I’d struggled with, done the most I felt I could, and was still quite unhappy with, began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in…
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January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1
It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the…
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January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne Mize
Dianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2…
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January 13, 2022 – 2 New Works In-Progress : Good Conversation + Healthy Vines Happy Hearts – #AbstractPainting #LyricalAbstraction #TheAdjacentPossible
Wasn’t sure what I wanted to paint this particular day, just really needed to 😊 I’ve been reading a creativity book, The Adjacent Possible; filled with good ideas, one of which emphasizes “just starting.” A concept the author calls zero to 1, which she explains is like this huge leap, from nothing, to something. She…
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January 10, 2022 – New Work In-Progress : Walking the Stars
Recently one of my posts mentioned working on a larger than usual for me canvas, 24×36, on the floor, with the 8 year old. I didn’t think to get a pic of him adding some of the specklings of black on the dried fiber paste, but wanted to show ya’ll what the image, Walking the…
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January 08, 2022 – New 16×20 Inch #Acrylic Upload @FineArtAmerica – Fantasy Landscape
This is one of those works I didn’t “see” the landscape til I saw it from another room, lol! But I’d immediately liked the colors and sway of texture, and though it’s kinda rough is spots, it’s part of what makes it work I think. Usually I’ll hold a very new work like this for…
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January 05, 2022 – Lyrical Abstraction? Never Heard of It, til Now!
I came across this term just recently, something I’d never even heard any inkling of – Lyrical Abstraction, and the tiny bit I’m coming across is intriguing me —
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January 04, 2022 – Pondering the Past and Present of My Art – 2 Landscapes 17 Years Apart
Besides being 17 years apart, there’s a lot both separating the two yet joining them both. I’ll admit, the 2004 oil is far more developed than it’s younger brother from this year, lol! But, it did take me 4 years of effort to get to the point of painting an oil at that level. It’s…
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January 02, 2022 – Reblog / Review : “Oral history interview with #JoanMitchell, 1965 May 21” via the #Smithsonian Archives of American Art
There’s a level of self-reflection or recognition that seems to put a lot of truth into her words, Joan’s words. This is a keeper article, the Smithsonian’s, not mine, lol! There’s a reality I get each time I re-read it ☺️ It’s un-pretentious. It’s real. It’s live ❤️
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December 28, 2021 – Found One of My 2005 (or so) Gesso / Oil In-lays on Canvas With a Landscape Relief Texture That Pre-figures My Light Molding Paste Painting Experiments I’m Doing Now!
So there, in the 3 images above, between my featured image of my gesso-textured oil layin from 2005, my current watercolor / acrylic from 2021, and my 1986 acrylic, is a pattern of mine of searching for how best, or at all, to not only work in texture into my painting, but to actually have…
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December 22, 2021 – New 6×6 Inch #Acrylic Upload @FineArtAmerica – Mesa Verde in the Beginning
I’ve just recently begun letting myself acrylic-free-wheel experiment on what I 1st began experimenting with my watercolors on, little 6×6 inch gallery wrapped canvases, much like my recent post on another painting from this same new batch – The Smile in the Moon . Mesa Verde in the Beginning is much more abstract, and the…