A small 8×8 inch oil completed late last year but only now been able to capture in a way I felt did it justice. The colors are laid in via glazed layers and the essence of the image changes as the light on it shifts. The original is no longer available, but prints, posters, and […]
Category Archives: Arts Area
Dancing Flower – My Newest Palette Knife Painting ; Sometimes It’s Just About Making a Choice, Choosing the Emotion :)
This new painting started with a basic layin I took to a the Old Bakery & Emporium, a historical non-profit gallery gift shop here in Austin, to work on recently. Here’s my tweet from that day – I worked in a full basic layover that afternoon that felt pretty darn close to what I wanted […]
Deciding When My Painting is Done, Part 4 – Discoverng and Painting a Story, Woman in Moonlight
It started like this, a textured palette knife inlay modeled on the values and inverse colors of a macro cropping of a photo of mine I really like… My reference photo, pictured below, and currently available on my Fine Art America (FAA) site, is a beautiful play of light. Eventually I’d like to try my […]
Do You Have a Favorite Word Among Your Image Titles? Apparently I do! (smiles) – “Light”
My newest Fine Art America photography and art collection – “Light” I was recently debating the title for a new nearly finished oil painting – I pretty sure I’ve settled on “Woman in Moonlight” – when I suddenly wondered how much of my photography and art I’ve titled with “Light” in the title. The answer […]
Thank You Repeat Buyer in Bradford Vermont (Nancy Griswold)! – Mountain Road Cabin And Sunrise, Stowe Vermont
Normally most artists selling their art work, prints, and gift items don’t know who’s bought something of theirs at Fine Art America, but this particular buyer, artist Nancy Griswold, contacted me and let me know. I’d already been a fan of her work so it is particularly satisfying the sales have been to someone whose […]
Deciding When My Painting is Done, Part 3 – Adding Recognizable Objects to an Abstract and Making it Work
Probably my biggest challenge – besides knowing when the work is done and stop, and thus allowing myself to return to abstract painting after many decades – is what and how to insert something recognizable into the image: a person, or thing – animate or inanimate (sailboats, birds, a bicycle, the moon, etc). One of […]
Deciding When My Painting is Done, Part 2 – Stopping Myself Before I Ruin My Own Art (smiles)
My “stopping myself before I ruin my own art” sample above serves dual purpose – it was once a delicate single flower with a muted background. I tried to “enhance” the flower (I was quite happy with the background), feeling it “had” to have a certain look or finish. Maybe it did. But, using my […]
Deciding When My Painting Is Done, Part 1 – Speaking to Myself (smiles)
Way back in the early 80s I restarted painting (after playing around with art in my late teens / early 20s (late 60s, early 70s), I mainly created abstracts and back then I would have declared this work finished before I’d added the bird. I persisted in that way, despite a supervisor I worked under […]
About the Images in My Books, Part 2 – Narrative / Illustrative Photography and Art
From early on I included my own images in small books of poetry, creating verses to illustrate what I saw and felt in the scenes, often of nature but relating to people. Also relatively early, I matched images to my travel memoirs. One small book, “Love’s Travels – Vermont, Paris, Austin”, combines my images with […]
About the Images in My Books, Part 1 – Book Covers
Please click links on cover images for links to the books on Amazon (universal links); & links on right-side images for their Fine Art America pages (gifts & prints). And for more of my before-and-after images-to-covers, please visit my collection of samples at Fine Art America – https://fineartamerica.com/profiles/felipeadan-lerma.html?tab=artworkgalleries&artworkgalleryid=712150 . It started as just fun, picking […]
