I’ve had a string of strange stranded-like days since my mom’s burial.
Along with a variety of naps from 5 minutes to an hour, I’ve walked more slowly, studying the shadows and dappled light along the paths of the greenbelt nearby. I’ve woken feeling a clarity about wanting to work with figures in my art. I haven’t painted since the crisis before her passing, but have taken more photos, more randomly – spontaneously, letting my review of them later be okay enough to keep the ones I want, realizing it’ll be a challenge, a fun challenge I hope, to “dapple” those in full shadow. It was nearly two months ago I asked myself (on my blog), “What Makes Dappled Light Work? It Almost Always Looks Good!” I think I’m closer to an answer, and want to experiment “adding” dappled light effectively, ie, pleasingly, enchantingly, onto shadowed surfaces. And, in an effort to control my recently sorta high blood pressure, eventually without meds I hope, pick up a recurrent obsession of mine since my late teens / early 20’s – meditation 😊
It feels like I’ve a trusted guiding hand on my mind’s shoulder now ♥️
I wish everyone the best, may you and yours stay well –
And may your creative dreams persist! 💕
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My Latest Posts On My Website!
- January 21, 2022 – New 16×20 Inch #Acrylic Upload @FineArtAmerica – Healthy Vines Happy HeartsA relatively simple work with a slightly more complex arrangement of paint application than my usual. That’s a mouthful, lol! But pretty accurate in term of my process! 😊 First, I laid in a faint yellow base, a mix of watercolor and acrylic. Next I laid over a….
- January 20, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 2As mentioned in my prev post, my then problem and now radical solution in re to a painting I’d struggled with, done the most I felt I could, and was still quite unhappy with, began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, re listening to one’s creative needs and acting on them. I’d wanted to add a violet toned painting to one of my ongoing series, one involving 12×24 panoramic monochromatic impressionist abstract work. It began well enough, with….
- January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the lines of my other mostly-or-all monochromatic impressionist abstract work I’ve posted about ( my red and blue samples further down ).
- January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne MizeDianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2 examples in my header, but an entirely different style image, one from one of my favorite painters, John Singer Sargent, and ties it to the two simpler – yet in principle – similar images top of the page.
- January 17, 2022 – Art Delivery to Cypress Grill Austin for a Creative Arts Society Rotating Member ShowingI’m happy to post I’m placing my 1st piece of art work at a Creative Arts Society member venue in over a year and a half!
- January 16, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Fantasy Landscape – New 16×20 #LyricalAbstract #AcrylicPaintingFantasy Landscape is currently residing at the Old Bakery & Emporium in downtown Austin across from the Texas State Capital. It’s a super playful acrylic I didn’t realize would be “so much” a landscape as it turned out, lol! All part of the “discovery” process inside each artist, often call the landscape inside, probably in more senses than one, as Joan Mitchell has alluded to.
- January 15, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Blue Impressionist Abstract 1Third of my 3 uploaded acrylic color blocks, each 12×24 inches on gallery wrapped canvas, Blue gives me a triad of sorts, the other two paintings being red and yellow. A link to related blog posts is – https://felipeadanlerma.com/?s=Impressionist+abstract I’ve always like panoramas, even in my….
Thanks again, everyone! 😊