I don’t have an answer for the title question yet, but I realized, if I wanted to explore that idea/question, I needed to start a blog post thread separate from my initiating blog post series when I 1st started exploring working with multiple canvas panels.

I’m calling this new thread – Experimenting With Polyptychs, and my 1st question to myself is, how will my creative flow and enjoyment change or vary between painting a polyptych with panels slightly separated, vs painting a polyptych with the panels squeezed together close as possible, even though the work is meant to be hung or shown with space between the panels?

In my 1st series thread, Rearranging My “Art Room” at Home for a New Endeavor : Polyptychs , I explored new-to-me surprises about working a multi-panel art piece, like —

• the surprising way individual side-by-side pairing of panels created their own potential stand-alone art work!
  https://felipeadanlerma.com/2022/03/18/march-18-2022-rearranging-my-art-room-at-home-for-a-new-endeavor-polyptychs-ie-art-on-2-or-more-panels-part-4-something-new-i-didnt-expect-painting-across-4-panels/
• the need for each panel to be signed, preferably front and back; possibly to prevent an exceptional or simply preferred pairing of panels being separated from the whole as a whole
  https://felipeadanlerma.com/2022/03/21/march-21-2022-rearranging-my-art-room-at-home-for-a-new-endeavor-polyptychs-ie-art-on-2-or-more-panels-part-5-signing-the-backs-of-each-of-4-panels/
• how incredibly varied & creative the joining of edges between 2 adjoining panels can be!
  https://felipeadanlerma.com/2022/03/25/march-25-2022-another-difference-between-multi-panel-art-polyptychs-and-single-canvas-work-working-the-edges-on-in-progress-red-blue-on-white/

Now, in my next post in this new thread, I hope to show and talk about what happened ( 1st time around anyways, ie, may differ for me next time around ) when – to solve regaining a stronger feeling of fluidity in my multi-panel work, I decide to paint the panels joined as closely together as separate stretch canvas panels would allow.

Turquoise Waves does carry “some” of the fluidity I feel / felt when creating most of my single panel abstracts, ie, like Turquoise Impressionist Abstract 1 below —

Granted, Turquoise Impressionist Abstract 1 is not only a single stretched canvas, it’s also much smaller than Turquoise Wave at top, the latter being FIVE panels nearly the size of the smaller painting immediately above.

Much easier, for me, to retain the kind of fluidity I feel good creating.

Plus, all those things in the list above – multiple signing locations, multiple continuities and edges – aren’t a consideration.

What I’m gonna try is — pressing the panels close together as I can, and, use larger palette knives I just received the last few days.

My chosen WordPress image size limitations, to limit costs and preserve my image storage space usually doesn’t do the justice to my originals my files on Fine Art America do, but I haven’t had time or the right light to get decent pics of these newer polyptychs ( not to mention still needing to sign the fronts of each panel ). Once they are up, Fine Art America’s full resolution preview tool can give viewers a much cleaner clearer look.

Meanwhile, here’s a detail shot from Turquoise Waves I hope you’ll like 🙏 😊

ps – the striated red & white paint lines were done via an old butter knife Sheila gave me ☺️

Stay well everyone! Explore the limits of your imagination! It’s said that, when you reach those limits, the edge, you’ll find a vista of new possibilities! 💕

Adan

– my blog posts re Polyptychs 😊
https://felipeadanlerma.com/tag/polyptychs/

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• May 16, 2022 – New Diptych : “Freedom” Almost Finished, Panels Need Signing ( front & back )May 16, 2022
  And what I’ve come across figuring out how to make prints of this that folks can work with, ie, close to or within standard size dimensions, was how to get a 22×28 image convert into – in 2 examples – an 8×10 or 12×18, and I came up with this as a starting prototype….
• May 15, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, “Spring Rising”May 15, 2022
  I’d done a lot of deep or darker night-like paintings for a bit, so it felt pretty nice to lighten up my palette for awhile. Working back & forth, from the two approaches – playing the potential good from both approaches seems to suit my Libra middle, lol!
• May 14, 2022 – My 1st Classical Stretch Workout with Miranda Esmonde-White ( via YouTube ) in Many Months!May 14, 2022
  Though similar to SilverSneakers’ classes, Miranda’s classes focus largely on making the fascia network in our bodies more fluid. Some movements are very similar, but more extended, dance-like, reflecting Miranda’s ballerina and dance background!
• May 13, 2022 – “Angel” in AVAA’s 1st Austin Art Space Gallery and Studio Group Show in a Long Time!May 13, 2022
  Just a very quick post to announce that my 18×24 inch acrylic on stretched canvas, Angel – has been accepted into Austin Visual Arts Association’s ( AVAA) 1st group show since ( I believe ) the pandemic. Definitely been a long time coming and feels great to be able to be showing with this long time Austin art association again! 😊
• May 12, 2022 – Updated My #Twitter Header Image and Pinned TweetMay 12, 2022
  Though Twitter’s future is up in the air, or ether, or virtual landscape; and my own “footprint” there and social media in general is micro-whatever, lol! — it’s still my micro existence, and I want to care for it best I can 😊
• May 11, 2022 – Reblog / Review : Joan Mitchell, “I carry my landscapes around with me” – #PolyptychsMay 11, 2022
  …my reading of Joan Mitchell’s work – while often including much of that same connection, speaks more directly to me about the impact of the canvas before me in that process. Especially most specifically in regard to Joan’s work with multi-panel / multi-canvas works of art – ie, polyptychs!
• May 10, 2022 – BW Impressionist Abstract 1, Completed!May 10, 2022
  A few posts back, about a new diptych in-progress, Freedom, in the 2nd 1/2 of the post, I mentioned having another in-progress work, BW Impressionist Abstract 1, that the 9 year old ( our youngest grandchild ) said he really liked, but wanted more “gold” in it, and pointed out where & how much more gold paint 😊 So I took him at his word & did the changes –

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Thanks again, everyone! 😊

Adan

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