Continuing yesterday’s them of simplicity – some days simple being good 😊 – I decided to try a simplified polyptych, a two panel diptych with minimal over-all imagery, though of course open to extended nuancing of some or any portion of the the color fields.

It may be fun to see if some blue sheen in a brighter note can be sparingly added to my wanna-be-a-bird blue inlay. And some, a very little of that some, probably of the lighter upper yellow, might work among the deeper grayer yellow/gold along the bottom 1/3.

These are all “we shall see” ideas for now.

Keeping the general simplicity of the design, but with some nuance though, might be nice ☺️

This was the most single session painting I’ve done in awhile, in a week maybe? And it really showed in my mood and relative peace, and that in turn fed me energy during the same extended session 🙏

Even now, resting, working on this post, looking at a detail shot of the work-in-progress, I can see the potential for an eye, or bit of elaboration, to more clearly “suggest” a bird’s face!

Plus, now one can see more clearly the color nuancing in the slashes of blue —

It all, I’ll gladly happily admit, enthralls me!

And it all might even be partially a carry-over from the 9 year old spending the night last night. At one point, he began to examin the pictures on my art room’s walls and pointed out one of my 12×24 color fields, this one being mostly BW with a few dashes of gold – a very kinetic work, busy “almost” to distraction, but he liked it. I asked him if he’d like to have it, and he said, “Can you add more gold here,” pointing to a spot, “that big,” pointing to a larger-than-the-others swatch of gold already on the canvas.

“Sure,” I quickly said, openly grinning.

“And maybe,” he added, “little lines of gold, here, and here,” his little finger drawing a finger tip sized line in the upper left and lower right.

Nice balance, I thought to myself, grinning & nodding my head to him 😊

I didn’t work on that BW color field today, being energized enough to finally work on a full new piece again.

But, and I’d told the 9 year old this after he’d shown me his add-on preferences, the bigger new potential gold splotch had been tempting me too. He liked that. But the other, the small line-like addition-suggestions of gold, I hadn’t, and I told him so. And I think he really liked that too 💕

That may be a good project for this weekend as I leave “Freedom” in it’s 1st inlay to dry, and give my eyes time to see how much, or how little, more I feel will enhance this new work —

Stay well everyone! ❤️

Adan

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• May 17, 2022 – I Have a Lot of Happenings ( art & personal ) This Week, But Still Finding Moments To Start a New Painting : Morning’s PromiseMay 17, 2022
  It’s nice to dance the surface of my canvas as needed. And able ☺️ And right now, a light step, at an easy pace, may give me the time – and energy – to get more than a handful of other needed things also done this week. Not a bad compromise. For now 😊
• May 16, 2022 – New Diptych : “Freedom” Almost Finished, Panels Need Signing ( front & back )May 16, 2022
  And what I’ve come across figuring out how to make prints of this that folks can work with, ie, close to or within standard size dimensions, was how to get a 22×28 image convert into – in 2 examples – an 8×10 or 12×18, and I came up with this as a starting prototype….
• May 15, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, “Spring Rising”May 15, 2022
  I’d done a lot of deep or darker night-like paintings for a bit, so it felt pretty nice to lighten up my palette for awhile. Working back & forth, from the two approaches – playing the potential good from both approaches seems to suit my Libra middle, lol!
• May 14, 2022 – My 1st Classical Stretch Workout with Miranda Esmonde-White ( via YouTube ) in Many Months!May 14, 2022
  Though similar to SilverSneakers’ classes, Miranda’s classes focus largely on making the fascia network in our bodies more fluid. Some movements are very similar, but more extended, dance-like, reflecting Miranda’s ballerina and dance background!
• May 13, 2022 – “Angel” in AVAA’s 1st Austin Art Space Gallery and Studio Group Show in a Long Time!May 13, 2022
  Just a very quick post to announce that my 18×24 inch acrylic on stretched canvas, Angel – has been accepted into Austin Visual Arts Association’s ( AVAA) 1st group show since ( I believe ) the pandemic. Definitely been a long time coming and feels great to be able to be showing with this long time Austin art association again! 😊
• May 12, 2022 – Updated My #Twitter Header Image and Pinned TweetMay 12, 2022
  Though Twitter’s future is up in the air, or ether, or virtual landscape; and my own “footprint” there and social media in general is micro-whatever, lol! — it’s still my micro existence, and I want to care for it best I can 😊
• May 11, 2022 – Reblog / Review : Joan Mitchell, “I carry my landscapes around with me” – #PolyptychsMay 11, 2022
  …my reading of Joan Mitchell’s work – while often including much of that same connection, speaks more directly to me about the impact of the canvas before me in that process. Especially most specifically in regard to Joan’s work with multi-panel / multi-canvas works of art – ie, polyptychs!

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Thanks again, everyone! 😊

Adan

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