Glazing with Acrylics, Oils and Watercolors | Just Paint
— Read on www.justpaint.org/glazing-with-acrylics-oils-and-watercolors/

excerpt

The word “glaze” can have a very slightly different meaning whether you are painting with oils, acrylics or watercolor. In all three media, a glaze is a translucent layer of color applied on top of a base of other colors or an underpainting. This base layer could be a color field or imagery, as in the traditional techniques of imprimatura (toned ground) and grisaille (gray or neutral tonal underpainting). Layering several transparent colors on top of one another creates optical color mixtures which have a much different visual effect than physically mixing the same colors together. They can create visual depth, brilliance and luminosity.

https://www.justpaint.org/glazing-with-acrylics-oils-and-watercolors/

*

As many of my readers know, I’ve recently been experimenting with both varnishing and glazing for the 1st time ever, with both acrylics and oils on new and older work, and this post from Stacy Brock at Just Paint and Golden Artist Colors is what gave me the understanding to be able to do so! 😊

My glazing work has been especially fascinating, especially since I’m often now working on both an acrylic and an oil painting at the same time! There’s a short sample in My Yesterday in Pictures for Dec 7th w/an image of paintings in each medium.

There’s amazing advantages to glazing in either acrylics or oils that this really excellent foundation post provides, plus for watercolors which I’m unfortunately not familiar with in any usable fashion, lol! – yet also sounds fascinating!

The initial things I’ve most appreciated discovering about glazing – esp since for decades I’ve worked almost excluding through front the paint tube – are :

• ease of adjusting & re-adjusting colors in an area
• ease of grading colors in a continuum (though still takes effort)
• good way to unify the colors and surface of a painting into cohesiveness
• creates depth

And each day I seem to learn more —

• In acrylics, since they dry so fast, I can add textured paint back on top of any glazed portion of colors and re-glaze again if I want.
• In oils I can work wet glazes into each other.
• In acrylics I can add both a drop of water and a dash of marble dust and still create a glaze.
• In oils I can add both a drop of oil and a bit of marble dust and also still create a glaze.

And I can honestly say this article from Stacy, with it comparative color charts for each individual medium, and its suggested working instructions for those mediums (including watercolors) is what’s got me going on this new creative path 😊

That, I believe, is very neat! 💕

Thanks so much everyone!
Let me know if you can if you read the article, and if you notice the subtle but distinct differences in the colors in the overlay-glazing samples for oils vs acrylics vs watercolors. Pretty Amazing!

Adan

Recent post – My Yesterday in Pictures for, Dec 08, 2019 😊 – Honky Tonk Christmas Bazaar at Donn’s Depot Austin 🎶 💝

My Related Amazon Affiliate Search Products
https://www.amazon.com/shop/felipeadanlerma

You can also begin a new search from any image below 😊

My Latest Posts On My Website!

• Adan’s Product Reviews on Amazon – Watercolour Flower Painting Workshop (Collins Painting Workshop) by Hazel Soan (Book, Paper Edition)January 26, 2020
  “Just beginning to use watercolors, and having seen Hazel Soan’s watercolor video on Prime Video, I knew I wanted one of her books. Though an older work, 1999 I believe, the information and images are timeless. The images themselves are stunning, stopped my wife in her tracks when I was browsing through the book 😊”
• Progress Update Working with Golden Absorbent Ground and Fineline Masking Fluid, on The First Snow 01.25.20January 25, 2020
  “Later, once the piece is done, the gloss isolation layer and matte varnish will have to protect paint and masking fluid. The glossy isolation layer preserves the colors, and the clear matte varnish protects against dust etc, but restores the surface feel and matte finish of the completed work – as I found out via … Read more
• Progress Update Working with Golden Absorbent Ground and Fineline Masking Fluid, on Violet Blooms 01.24.20January 24, 2020
  “Turns out this method (for me) is also not 100% foolproof, at least in regard to getting the right areas masked, etc. But I really think this is more to do with a learning curve, both in regard to watercolor choices in general, and using masking fluid for and with those choices.”
• 7 Expert Tricks To Improve Your Author Newsletter | David GaughranJanuary 23, 2020
  “There is so much more you can do with author newsletter these days beyond simply telling your fans that you have a new book.”
• Autumn Friends circa 1986 Acrylic ❤️ Adan’s PhotoPoems 💕January 22, 2020
  PhotoPoem sayings 💕 Autumn Friends circa 1986 Acrylic – “We are mirrors…”
• On the Way to the Cantina by Tiffany Arp Daleo 😊January 21, 2020
  “She often writes that she paints intuitively, from the heart, finding any suggestion of image within her process itself, an amazing feat I “sometimes” feel I pull off 😏 ”
• In the Egg # 2 by Francisco Bravo CabreraJanuary 20, 2020
  Francisco is an exceptionally prolific artist, with work that ranges from lush to whimsical or elegant.

My Related Posts Here On My Blog

*
Thanks again, everyone! 😊

Adan

Twitter / Instagram / FB @FelipeAdanLerma
Amazon Author Page – https://amzn.to/2YpgyUf
Fine Art America (FAA) – https://fineartamerica.com/profiles/felipeadan-lerma.html