Painted with Arteza’s watercolor Real Brush Pens on Canson 140 lb watercolor paper, this is a rare work where I followed my instincts, pressed too far, messed it, then trusted my instincts to “see what would happen” – and A Blush of Spring resulted! I’ve reviewed Arteza’s watercolor brush pens recently (see link above) and need to do one for Canson watercolor papers, some of the best paper I’ve come across in a variety of sizes, dual textured (rough one side, smoother on the reverse). A Blush of Spring might not have happened with less versatile watercolor pens or paper!
A small work, 9×6 inches, it also does really well enlarged, where the small brush stroke touches show up, along with the textural differences among the areas. Below is a screen shot of a full resolution preview of a small area. My high meg screenshot comes close to the actual preview on Fine Art America, but still not quite as nice – worth a look! 😊
Fine Art America’s High Resolution Preview option above shows both Arteza’s Real Brush Pens’ pigment density changes capabilities, and the quality of Canson’s watercolor papers. Tapping the image on FAA shifts the preview box from area to area.
Giving “A Blush of Spring” a hard run for most-viewed this past week, with only a few hours of Sunday morning’s post to promote it before the week’s tally (at FAA), is Dispatcher, one of my more durable poetry gift writings from the 90s 😊
One of my more promising – and more vexing – ideas for future work, is combining a light pen and ink (digitally hand drawn) wash (via digital watercolor) to complement writings from that same era I’ve never put image to poem before. My recent pen and wash work, Floating Butterfly (non-digital) is giving me hope I can pull this off!
My most immediate effort toward this, is for a small poem entitled, Little Dancer – (excerpt) “Your tiny dancing movements are the most innocent of all.” It’s of the endearment one feels in the presence of young innocence beginning to experience movement, with, at the end of the short poem, a slight reversal into self-observation-remembrance of one’s own younger self. I think it takes more words to explain it than to express it in the poem, lol! Wish me luck – this is a project I’d like very much to pull off. We’ll see ☺️
Take care everyone! Stay healthy & creative! ❤️
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- September 25, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, CompletedNot much difference between the previous post’s study version and the completed version above. As you can tell, from the 2nd duo sets of contrasts below, all I did was soften the upper slanting line separating red and white on the lady’s back. But for me, it….
- September 24, 2021 – New Most Viewed Image For the Week @FineArtAmerica, Ridges of Spring Light, #watercolor, painted late 2019I’ve recently been including Ridges of Spring Light in several of my blog posts about dappled light and masking fluid, not because it was meant to “be” dappled light, or that I used masking fluid creating it, though it does have three distinct areas of canvas (coated with absorbent ground to accept watercolors). No, Ridges of Spring Light contains a sense of dappleness, often created with masking fluid, and I used that image here to illustrate the idea that a variable sense of light sometimes just comes about, even in an abstract.
- September 23, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, Masking Fluid RemovedThere’s a lot I like about how this looks with the masking fluid gone (removed prev night and slept on the shock of seeing the changes, lol!) – which doesn’t mean though I’m not looking at what to try to improve how I feel about this work 😊 Initially, 1st impression, I was determined to restore & “correct” some of the changes —
- September 22, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper; 1st Paint Lay-in with Masking FluidAt 9×12 on 140lb x watercolor paper, I was able to use my brushes fairly effectively where I wanted them, and applied some Turner masking fluid (with a thin palette knife) “fairly” easy. And yes, some foot proportions are off a bit, lol, and her back blouse almost looks like it’s the front, but all in not too bad toward my primary priority – quickly achieve some degree of dappling look. Once the masking fluid comes off though, it could be very different….
- September 21, 2021 – Initial Review of “Breath: The New Science of a Lost Art” by James NestorI’d been doing a day to day posting of a continuing study-sketch project with figures in a watercolor landscape and ran into a time roadblock – grandchild, groceries, fitness (walking, yoga, Essentrics), picking up line art to practice-paint at my printer, etc 😊 and wasn’t able to wiggle any more time to work on that project and write about it, so… I took a deep breath and picked up a book (virtually, via my Kindle Reader, lol!) The editorial reviews often mentioned this read like a novel & my intro and beginning pages already confirm that.
- September 20, 2021 – Dappled Light, “Figures in a Landscape Study” Still Not Done, But, Already a Learning Tool For Me!“Learning Tool for Me” is part of my blog title today simply ’cause I’ve looking at this post as specifically geared to get me where I wanna go – keeping in mind my destination is a generalized abstraction of image / feeling / and intuitive aspiration (hopefully including figurative work) & it’s reached a point of development over my previous renditions that I now need to put my resolve into concrete, hopefully creative, useful thoughts for my future directions. Lot of contradictions. Like life. Like me 😊 Here goes (for now) —
- September 19, 2021 – Dappled Light, “Figures in a Landscape Study” ContinuedJust a quick post updating yesterday’s release showing what I’ve changed/added on to a watercolor on paper I’d 1st posted about on Sept 7th…A bigger factor in today’s image update is the addition of more “white”.
Thanks again, everyone! 😊