Just back from an incredible trip to the Galapagos west of Ecuador, wife & I got the opportunity to have the youngest grandchild over. This is from our mid-morning walk in warm dappled light ❤️
I only wish I’d realized the value of this with our own children more fully…
But learning that now is better than staying dumb —
And losing out even more 💕
This is probably even true w/other loves in our lives; like for me – art.
There were years I wandered about, hopefully absorbing feelings of images in my life that meant or have come to mean a great deal to me, either directly, symbolically, or even of memories carrying messages I wasn’t even aware of at the time – like is the case with my fascination with dappled light, light on this shot of Max & Sheila.
Dappled light of course needs nothing special to be pretty, attractive, attention getting.
And I’ve left it at that for many years, decades really, not even aware that was a prime ingredient in my love of early Renoir, his figures dancing / embracing underneath towering trees, or Monet’s splashes of dapple-lit paint – shadow and light co-mingling like close knit disparate siblings.
I mention to Sheila, somewhat casually, a few weeks ago, as I became aware of it, that dappled light under towering trees is what I grew up with in and near the old Memorial Park area of Houston, when homes sported as many and as tall of trees as in the park, even if more rustic and less manicured as in the park across from St. Theresa’s church.
Carefree moments, still relatively unaware of poverty or crime, of hatred and divisions (my parents always told us here were good people and bad people, but never any color of people) – so I remained color blind until the issue was forced on me, mostly socially vs personally, though I remained ignorant of the subtleties of the latter also for even longer.
So I grew up sheltered under speckled dappled light.
Protected, preserved even.
So when Max and Sheila had walked past this spot along the walk, I asked them to go back and stand and/or walk through that spot again, and Max, eyes big, asked, “Why?”
And I showed him the picture after, and said,
“See, how the light plays on you and Grandma?”
And he smiled 😊
Stay well everyone! Austin’s on the verge of re-entering Stage 5 of Covid hospitalizations and deaths.
Keep your light one, keep alert, and wear a mask if in any doubt ♥️
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- September 25, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, CompletedNot much difference between the previous post’s study version and the completed version above. As you can tell, from the 2nd duo sets of contrasts below, all I did was soften the upper slanting line separating red and white on the lady’s back. But for me, it….
- September 24, 2021 – New Most Viewed Image For the Week @FineArtAmerica, Ridges of Spring Light, #watercolor, painted late 2019I’ve recently been including Ridges of Spring Light in several of my blog posts about dappled light and masking fluid, not because it was meant to “be” dappled light, or that I used masking fluid creating it, though it does have three distinct areas of canvas (coated with absorbent ground to accept watercolors). No, Ridges of Spring Light contains a sense of dappleness, often created with masking fluid, and I used that image here to illustrate the idea that a variable sense of light sometimes just comes about, even in an abstract.
- September 23, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, Masking Fluid RemovedThere’s a lot I like about how this looks with the masking fluid gone (removed prev night and slept on the shock of seeing the changes, lol!) – which doesn’t mean though I’m not looking at what to try to improve how I feel about this work 😊 Initially, 1st impression, I was determined to restore & “correct” some of the changes —
- September 22, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper; 1st Paint Lay-in with Masking FluidAt 9×12 on 140lb x watercolor paper, I was able to use my brushes fairly effectively where I wanted them, and applied some Turner masking fluid (with a thin palette knife) “fairly” easy. And yes, some foot proportions are off a bit, lol, and her back blouse almost looks like it’s the front, but all in not too bad toward my primary priority – quickly achieve some degree of dappling look. Once the masking fluid comes off though, it could be very different….
- September 21, 2021 – Initial Review of “Breath: The New Science of a Lost Art” by James NestorI’d been doing a day to day posting of a continuing study-sketch project with figures in a watercolor landscape and ran into a time roadblock – grandchild, groceries, fitness (walking, yoga, Essentrics), picking up line art to practice-paint at my printer, etc 😊 and wasn’t able to wiggle any more time to work on that project and write about it, so… I took a deep breath and picked up a book (virtually, via my Kindle Reader, lol!) The editorial reviews often mentioned this read like a novel & my intro and beginning pages already confirm that.
- September 20, 2021 – Dappled Light, “Figures in a Landscape Study” Still Not Done, But, Already a Learning Tool For Me!“Learning Tool for Me” is part of my blog title today simply ’cause I’ve looking at this post as specifically geared to get me where I wanna go – keeping in mind my destination is a generalized abstraction of image / feeling / and intuitive aspiration (hopefully including figurative work) & it’s reached a point of development over my previous renditions that I now need to put my resolve into concrete, hopefully creative, useful thoughts for my future directions. Lot of contradictions. Like life. Like me 😊 Here goes (for now) —
- September 19, 2021 – Dappled Light, “Figures in a Landscape Study” ContinuedJust a quick post updating yesterday’s release showing what I’ve changed/added on to a watercolor on paper I’d 1st posted about on Sept 7th…A bigger factor in today’s image update is the addition of more “white”.
Thanks again, everyone! 😊