My most viewed image this past week on Fine Art America is from a small 5×7 watercolor study on absorbent ground on canvas panel of a motif from several of Monet’s work featuring a girl with an umbrella (his wife I believe, but not sure).
Using mostly Daniel Smith watercolors and two small brushes, I was able to keep the edges of image within the white space of the panel, and worked out something I felt good about.
Even doing a small study such as this brought my attention to so many of Monet’s stylistic mannerisms, even if only in a small very limited way. Another plus, I was amazed how many of artist/teacher Dianne Mize’s art tips came even more to life for me!
I finished this small piece early this year, along with several other figure works, and moved on to experiment with watercolor brush pens, mostly landscapes, but I hope to join the two methods eventually – tubes and brush pens – and integrate figures with landscapes more frequently, as I’d also experimented with late last year and early this year, one of which I sold very early on the year at Buda Mercantile before it repurposed itself as another business.
Well, we’ve the 8 year this weekend, and am glad I could get this short post out. Hopefully tomorrow I can post a few pics of our Memorial Day weekend with our grandson ❤️
Stay healthy everyone!
Stay healthy everyone! Stay hopeful! ❤️
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My Latest Posts On My Website!
- January 19, 2022 – How I Applied Dianne Mize’s Art Tip, The Visual Path, To My Work-In-Progress, Part 1It began after reading then reblogging Dianne Mize’s most recent art tip, The Visual Path, plus some reading I’ve been doing in The Adjacent Possible, about listening to one’s creative needs and acting on them. I’d already begun a new violet lay-in, destined, I thought, to be called Violet Impressionist Abstract 1; all along the lines of my other mostly-or-all monochromatic impressionist abstract work I’ve posted about ( my red and blue samples further down ).
- January 18, 2022 – Reblog / Review : Working the Painting Language – The Visual Path, via Dianne MizeDianne’s continuing series of tips and samples of painting’s language of line and shapes and so much more, including, as per this reblog of her most current post, The Visual Path, have been a source of inspiration for me for quite a while now, and this is no exception. She provides not only the 2 examples in my header, but an entirely different style image, one from one of my favorite painters, John Singer Sargent, and ties it to the two simpler – yet in principle – similar images top of the page.
- January 17, 2022 – Art Delivery to Cypress Grill Austin for a Creative Arts Society Rotating Member ShowingI’m happy to post I’m placing my 1st piece of art work at a Creative Arts Society member venue in over a year and a half!
- January 16, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Fantasy Landscape – New 16×20 #LyricalAbstract #AcrylicPaintingFantasy Landscape is currently residing at the Old Bakery & Emporium in downtown Austin across from the Texas State Capital. It’s a super playful acrylic I didn’t realize would be “so much” a landscape as it turned out, lol! All part of the “discovery” process inside each artist, often call the landscape inside, probably in more senses than one, as Joan Mitchell has alluded to.
- January 15, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Blue Impressionist Abstract 1Third of my 3 uploaded acrylic color blocks, each 12×24 inches on gallery wrapped canvas, Blue gives me a triad of sorts, the other two paintings being red and yellow. A link to related blog posts is – https://felipeadanlerma.com/?s=Impressionist+abstract I’ve always like panoramas, even in my….
- January 14, 2022 – Painting + Capturing Photos of the Sides of 2 #ImpressionistAbstract Panoramas Accepted by Art for the People Gallery AustinA few posts ago I announced about my art audition for an upcoming show at Austin local gallery, Art for the People, and mentioned I’d had a couple of my Impressionist Abstract panoramas chosen! One, the red version, already had its sides painted, but the newer blue version didn’t, so I got to work right away. Like I tell folks who like hearing ’bout how I put these together, painting the sides almost always takes as long or longer than the painting! Why?
- January 13, 2022 – 2 New Works In-Progress : Good Conversation + Healthy Vines Happy Hearts – #AbstractPainting #LyricalAbstraction #TheAdjacentPossibleWasn’t sure what I wanted to paint this particular day, just really needed to 😊 I’ve been reading a creativity book, The Adjacent Possible; filled with good ideas, one of which emphasizes “just starting.” A concept the author calls zero to 1, which she explains is like this huge leap, from nothing, to something. She says it over and over, all different ways, and I understood it. First intellectually. Then emotionally. And today, physically.
Thanks again, everyone! 😊