Today

Listening to Lou Reed (Walk on the Wild Side), OneRepublic (Good Life), Patty Smyth (The Warrior, Goodbye to You), Portugal The Man (Feel it Still), Sam Fender (The Borders), Tracy Chapman (Fast Car).

Complicated (sorta) morning followed by a hopefully leaner more streamlined afternoon 😊

Rechecked my latest reblog from SilverSneakers, this one re weight loss!

Making cereal breakfast early, so Sheila can grocery shop at Sprouts, so I can leave & head to the print so I can take some needed restock prints to the Old Bakery. Hope to have a post on the restock tomorrow. All goes well this will be my 1st time to go to the Old Bakery two weeks running since, hmmm, late August? And before that, early May?

Well, moving & surgeries’ll do that for ya, lol! 😊

If I’m lucky, I’ll still get my steps in today.

And if I’m really lucky – do all that and paint today ❤️

Yesterday

Yesterday two main avenues played themselves out throughout the full day.

One was my daily walking, and the other was my increasingly daily painting.

Both are resurgences beginning to resurface and re-establish themselves as dominant concerns in my every day life. Which I’m glad of, though there are challenges. How could it be otherwise, right? 😊

I’d mentioned in yesterday’s My Day Ahead I’d cracked 9000+ steps. Well, I actually ended up topping 10,000. Hadn’t done that in a very long time, and I felt it almost the whole day yesterday, with an unusual (for me) pain in my upper IT band in my right leg. I’d last had problems with my IT band around 2010 and learned to use a roller w/specific exercises to un-kink & strengthen it. But my recent consecutive-ness of walking back to my pre-2 surgeries level (which ended about late May), must have re-aggravated it. So yesterday (Tuesday), I scaled back (hobbled back? 😂) to a very respectable 7500+ . My reblog post for today, via SilverSneakers, though targeted to info re weight loss, has, as I mention in my intro to it, with applications beyond for seniors, and, weight loss, specifically, has this – my fav from the article – it’s ok to cheat 😊 ie, moderation vs strict adherence!

So if Monday I overdid via walking, yesterday, I overdid via painting ❤️

I’ve been working my way back to painting more regularly, or at all, since I hadn’t painted at all since mid-May, when we began our move, then, by late May, began getting the multi-hour gastro pain attacks leading to my trip to the ER.

Then, yesterday, with the forecast strongly suggesting sunshine’ll be scarce in the coming few days, I went past my daily short stint at the easel with a second short sitting (I rarely stand like I used to up to about a decade ago), then, after lunch, for a time-was-forgotten multi-hour session til dusk. I also knew that today (Wed) I’d be busy going to the printer, restocking at the Old Bakery, plus the drive times. I guess I cheated, so to speak, in reverse, splurging cause I knew I’d have to do without for most if not the day today. I think that made sense, lol!

In the same way I become more and more aware of my body as I continue rebuilding my walking routine, not to mention exactly how the weather – the sky, the air, sounds – is doing, I also am becoming more and more aware of how my painting process is doing.

For a few days, in my short session days, I was enjoying rediscovering highlighting little curling ridges of paint, adding a shadow line above or below another ridge line of paint – something I’d read Monet often did after a point in his career. I’d often wondered why he’d felt he’d needed to do that. After all, when light hit the textured paint, the light would create the highlights. I’d also wondered why some of my paintings seemed flatter at times, sometimes permanently, after I’d finished them. That was one of the things I‘ve thought about during my recent painting renaissance. Renaissance of spirit if nothing else, lol!

I’ve mentioned how I’m repeating (in a Hegelian spiral shift sort of way) something I worked to great success with my painting, Austin at Night, which was to take make prints of photos I’d take while in-progress. It gave me a perspective of where I was at and what I wanted – in real time, not when I 1st started the painting. Only now, until I decide about getting a projector to easily view my captured stages of my work-in-progress, I’m using my iPhone’s screen (had to reset it’s go-dark time so’s not to have to constantly re-tap the screen to keep it active).

Having a screenshot of my original, taken with indirect side light, lets the highlights on the paint ridges literally shine! I then compared it my original (12×16 canvas), and started recreating my “finished” work 😊

I also tinkered with my tonal settings (black point esp), and my warmth/cool setting, tinkered until I saw something I wished I’d painted, and set out to see if I can come close, or, find something else along the way I like as much ❤️

One of the latter is, though I’d originally really liked my muted almost grayish infused version of In the Light, I really much prefer warmer tones 💕

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My Latest Blog Posts

• January 17, 2022 – Art Delivery to Cypress Grill Austin for a Creative Arts Society Rotating Member ShowingJanuary 17, 2022
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• January 16, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, Fantasy Landscape – New 16×20 #LyricalAbstract #AcrylicPaintingJanuary 16, 2022
  Fantasy Landscape is currently residing at the Old Bakery & Emporium in downtown Austin across from the Texas State Capital. It’s a super playful acrylic I didn’t realize would be “so much” a landscape as it turned out, lol! All part of the “discovery” process inside each artist, often call the landscape inside, probably in more senses than one, as Joan Mitchell has alluded to.
• January 15, 2022 – New 12×24 Inch #Acrylic Upload @FineArtAmerica – Blue Impressionist Abstract 1January 15, 2022
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• January 14, 2022 – Painting + Capturing Photos of the Sides of 2 #ImpressionistAbstract Panoramas Accepted by Art for the People Gallery AustinJanuary 14, 2022
  A few posts ago I announced about my art audition for an upcoming show at Austin local gallery, Art for the People, and mentioned I’d had a couple of my Impressionist Abstract panoramas chosen! One, the red version, already had its sides painted, but the newer blue version didn’t, so I got to work right away. Like I tell folks who like hearing ’bout how I put these together, painting the sides almost always takes as long or longer than the painting! Why?
• January 13, 2022 – 2 New Works In-Progress : Good Conversation + Healthy Vines Happy Hearts – #AbstractPainting #LyricalAbstraction #TheAdjacentPossibleJanuary 13, 2022
  Wasn’t sure what I wanted to paint this particular day, just really needed to 😊 I’ve been reading a creativity book, The Adjacent Possible; filled with good ideas, one of which emphasizes “just starting.” A concept the author calls zero to 1, which she explains is like this huge leap, from nothing, to something. She says it over and over, all different ways, and I understood it. First intellectually. Then emotionally. And today, physically.
• January 12, 2022 – Auditioned 3 Paintings at #ArtForThePeopleGallery, Snuck in 3 Unannounced Works, Got 4 of 6 Accepted!!!January 12, 2022
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• January 11, 2022 – Adan’s #ArtPoems / #PhotoPoems : Light is But Darkness Feeling…January 11, 2022
  I’ve had a PhotoPoems / Photo Poems series of posts seems since near when I 1st started my blog, and was tempted to call this verse, for Angel, a PhotoPoem also. But even though I’ve a few posts tying poem and art work together, I don’t think that would be in the spirit of the thought behind the poems anymore. An art poem, I feel instinctively, is….

Thanks so much everyone! 😊

Adan

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