September 10, 2021 – New Most Viewed Image For the Week @FineArtAmerica, “Barton Springs Autumn Austin” : Oil on Canvas, circa Early 2000s #ContemporaryImpressionism

My painting, Barton Springs Autumn Austin was actually my most viewed on Fine Art America back the 2nd week of September 2019! 😊

And was my featured image for quite a number of my various blog posts over the years.

It looks like I 1st used it as my featured image for a 3 part series on meditation – back in February of 2011! And, as you can tell below, the picture quality reflected both inexperience and lack of a much better camera, lol!

Barton Springs Autumn Austin © Felipe Adan Lerma, featured image for my 3 part meditation blog series Feb 2011
Barton Springs Autumn Austin © Felipe Adan Lerma, featured image for my 3 part meditation blog series Feb 2011
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Part 3 post –
https://felipeadanlerma.com/2011/02/17/meditation-am-i-doing-it-yet-part-3/

Eventually, a couple of years ago, this painting sold, and lots of folks were very complimentary of it, and I remember speaking with the buyer’s wife, about art, my thoughts and ideas about the painting, and I remember saying that I’d had it in storage a long time, and when I’d finally taken it out, after more than a decade tucked away, it looked better even to me than I’d remembered.

And what I realized, and mentioned to her was, I realized – and remembered – how unhappy I’d been with the work when I’d finished it, how bumpy and “unfinished” it looked and felt to me; and I realized I told her (and told myself really), that the oil paint, very thickly applied, had finally settled, leaving me with the image I’d had in my mind, but (felt) I couldn’t produce.

Years later I read that Monet, in the latter years, sometimes stacked his in-progress work against wall for years, letting them settle and dry before resuming work on them.

And then, very recently, on one of Dianne Mize’s art tip videos about watercolors, said basically the same thing in re to letting watercolor sit, at least over night, to let watercolor “do its thing” – mixing and blending its pigments in and on the paper.

Some things just take time. Some don’t, lol! But it seems good to know, there are those things that have their own time to optimize – and I’m thinking of myself, and relationships, and seemingly trickier things like democracies – since they involve “lots” of myselfs and relationships (to say the least) 😊

And lastly, still optimizing within my own work, is my continuing development of figures!

Take care everyone! Stay inquisitive and exploratory, and most of all – optimistic! ♥️

Adan

Direct link to my blog post above 😊
https://felipeadanlerma.com/2021/05/07/may-07-2021-reblog-review-luminosity-in-watercolor-via-dianne-mize/

My Related Posts Here On My Blog

My Related Amazon Affiliate Search Products
https://www.amazon.com/shop/felipeadanlerma

My Amazon search for “contemporary impressionism” –
https://amzn.to/3mFbnPX

Direct link to Monet book above on Amazon 😊
https://amzn.to/2Wtu1Qg
Direct link to the above Renoir book on Amazon ❤️
https://amzn.to/38nBum5

My Latest Posts On My Website!

  • September 25, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, Completed
    Not much difference between the previous post’s study version and the completed version above. As you can tell, from the 2nd duo sets of contrasts below, all I did was soften the upper slanting line separating red and white on the lady’s back. But for me, it….
  • September 24, 2021 – New Most Viewed Image For the Week @FineArtAmerica, Ridges of Spring Light, #watercolor, painted late 2019
    I’ve recently been including Ridges of Spring Light in several of my blog posts about dappled light and masking fluid, not because it was meant to “be” dappled light, or that I used masking fluid creating it, though it does have three distinct areas of canvas (coated with absorbent ground to accept watercolors). No, Ridges of Spring Light contains a sense of dappleness, often created with masking fluid, and I used that image here to illustrate the idea that a variable sense of light sometimes just comes about, even in an abstract.
  • September 23, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, Masking Fluid Removed
    There’s a lot I like about how this looks with the masking fluid gone (removed prev night and slept on the shock of seeing the changes, lol!) – which doesn’t mean though I’m not looking at what to try to improve how I feel about this work 😊 Initially, 1st impression, I was determined to restore & “correct” some of the changes —
  • September 22, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper; 1st Paint Lay-in with Masking Fluid
    At 9×12 on 140lb x watercolor paper, I was able to use my brushes fairly effectively where I wanted them, and applied some Turner masking fluid (with a thin palette knife) “fairly” easy. And yes, some foot proportions are off a bit, lol, and her back blouse almost looks like it’s the front, but all in not too bad toward my primary priority – quickly achieve some degree of dappling look. Once the masking fluid comes off though, it could be very different….
  • September 21, 2021 – Initial Review of “Breath: The New Science of a Lost Art” by James Nestor
    I’d been doing a day to day posting of a continuing study-sketch project with figures in a watercolor landscape and ran into a time roadblock – grandchild, groceries, fitness (walking, yoga, Essentrics), picking up line art to practice-paint at my printer, etc 😊 and wasn’t able to wiggle any more time to work on that project and write about it, so… I took a deep breath and picked up a book (virtually, via my Kindle Reader, lol!) The editorial reviews often mentioned this read like a novel & my intro and beginning pages already confirm that.
  • September 20, 2021 – Dappled Light, “Figures in a Landscape Study” Still Not Done, But, Already a Learning Tool For Me!
    “Learning Tool for Me” is part of my blog title today simply ’cause I’ve looking at this post as specifically geared to get me where I wanna go – keeping in mind my destination is a generalized abstraction of image / feeling / and intuitive aspiration (hopefully including figurative work) & it’s reached a point of development over my previous renditions that I now need to put my resolve into concrete, hopefully creative, useful thoughts for my future directions. Lot of contradictions. Like life. Like me 😊 Here goes (for now) —
  • September 19, 2021 – Dappled Light, “Figures in a Landscape Study” Continued
    Just a quick post updating yesterday’s release showing what I’ve changed/added on to a watercolor on paper I’d 1st posted about on Sept 7th…A bigger factor in today’s image update is the addition of more “white”.

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Thanks again, everyone! 😊

Adan

Artist self portrait - photo of Felipe Adan Lerma on converted railway track bike ferry for the Island Line Trail connecting mainland Vermont to South Hero on Lake Champlain.

Twitter / Instagram / FB @FelipeAdanLerma
Amazon Author Page – https://amzn.to/2YpgyUf
Fine Art America (FAA, Pixels) – https://felipeadan-lerma.pixels.com/

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