Previously, in Part 3 of this mini series, I showcased my 1st watercolor (seen below) keyed off an original oil of 2001, itself keyed off an original photo of the same year. I know I’ve got the version numbers reversed in terms of when I painted them. A goof up uploading the pics of the paintings to Fine Art America on my part 😏 But, maybe, for the lesson for me I’m writing about in this post, just as well, lol!

Though, when I practice repainting the same figure in my sketch book, like a person on a surfboard, I’m first trying to get the image to look decent 😊 and second seeing what surprises arise as I do each variation. These surprises are usually in the realm of posture or gesture suggesting some emotion or feeling, and those often become more important to me than accuracy to the original image (often a photo or old painting).

Similarly, I’m doing a short series of hearts I might offer closer to Valentines Day here locally, if anything’s open or available (if not, I’ll hold them for next year), and I’m seeing a similar lesson, but in slight variation.

Like my figure practice work, I need “something” that looks at least a little like a heart, lol! ❤️ Yet, I also want them slightly different from each other – in color, texturally, and in some intangible manner. What I’m finding with these is niche visual patterns I like and think work well yet are repeatable with variations. Some variation-ideas are presenting themselves to me slowly, with each new variation, suggesting shapes and forms I hadn’t contemplated to begin with at all! I’ll eventually show them later into February I think 😊

Now, with these two watercolor samples, themselves variations off a 2001 oil of mine, which is off a 2001 photo I took in Giverny, France, what’s emerging is something entirely different and unexpected.

From a probably predictable sense of boredom, repeating the same motif, I’m forced to improvise my technique to stay interested. I thought just switching from oil to watercolor alone would be enough. It’s not. And I still plan on doing a gouache (in-progress) and an acrylic! So we’ll see how far this goes.

But the interesting surprising thing to me is – as I loosen up more and more in implementation, I’m reminded of – visually and with memories – how I painted with oils in the early to mid 2000s.

Layering, scumbling, scrubbing, stabbing, layers over layers. Of bridges.

What’s different is, this time, I’m varying my images with varying mediums – watercolors, gouache, acrylics, and maybe even eventually oil.

I think, when I next post again in this little series, I’ll have my gouache, and it’s beginning to look more and more like Walking Bridge Zilker Park above, at least in terms of texture & expressiveness.

And I do think too, as I get past the rustiness of old painting habits + combine that with the innovations I’m discovering in all the above mediums I’ve been trying since oil, there may be some interesting pieces. I hope so anyway 😊

Plus, as per the tweet below, my digital image work off my originals will also give rise to new physical art work I can do. It’s a nice interactive loop —

And then, I believe, I’ll be ready to do something combining my new love of figure work, with new expressiveness particular to all these wonderful mediums now so abundantly available (in numbers of colors and forms, ie, brush pens, tubes, pans etc) not available to me even a couple decades ago.

It’s an exciting time to be creative I think 💕

Take care everyone, stay healthy!

Adan
This series – Monet’s Garden April Rain in Giverny –
https://felipeadanlerma.com/tag/monets-garden-april-rain-in-giverny/

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Direct link to the image in above tweet at Fine Art America –
https://felipeadan-lerma.pixels.com/featured/monets-garden-april-rain-in-giverny-watercolor-v1-digital-felipe-adan-lerma.html

Monet’s Garden, my Google search

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My Related Posts Here On My Blog

My Latest Posts On My Website!

• October 02, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, “Walking With the Stars Poster” : circa 2022October 2, 2022
  Especially nice for to see my poster version of “Walking with the Stars” appear as my most viewed image of the week at Fine Art America 😊
• October 01, 2022 – Opinion: Careening Screaming Laughing Round the Curve and Guardrails America ( and the world ) is Entering Adulthood, Part 1October 1, 2022
  …it’s my opinion humanity will soon decide to survive or not. And that we can only decide to survive by also deciding that means all of us.
• September 28, 2022 – Working Texture and Figures into Compositions I Like, Part 6 : Adding a 5th ( scumbled ) Layer to Danseur en Bleu ( formerly Dancing Turquoise )September 28, 2022
  I don’t want to forget, souls and spirits that we may be, we are also of and from the Earth we stand upon ❤️
• September 27, 2022 – Now This Sounds Right : “Fed can avoid ‘deep pain’ in inflation fight, Bostic says”September 27, 2022
  One of the fun things of being a lay-person in re to an esoteric topic, like the effect of Federal Reserve actions and statements about folks in my fiscal strata is – long as I’m upfront it’s my opinion – I can say how things appear from my socio-economic perspective.
• September 26, 2022 – Changes to My Blog – No Externally Generated Ads / Blogging As AbleSeptember 26, 2022
  I needed to regroup.
• September 25, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, “Walk Among the Wildflowers” : circa 2020September 25, 2022
  I’m hoping to catch the deadline to submit it to a new-to-me Austin venue, Bee Caves Arts Foundation. Do wish me luck. It’d be a great add-on to its being my most viewed on Fine Art America this past week 😊🙏
• September 22, 2022 – Clean Energy, Part 5 – The Practical Problem, and, How #Solar Kept the Lights on After Fiona Left #PuertoRico in the DarkSeptember 22, 2022
  The bulk of the info is a very fairly laid out presentation that a 90% of renewable energy is mostly doable and feasible. The only really debatable portion, and Dan presents pluses and minuses for each possible choice, is how to supply that last needed 10%.

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Thanks again, everyone! 😊

Adan

Twitter / Instagram / FB @FelipeAdanLerma
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