Despite another grueling chores & other stuff day, lol, I pushed through into painting for a bit, clarifying I think the energies in the painting.

Still a bit more to go, but I’m clarifying to myself 😊 the direction and feeling I want this new more-complex-abstract-than-usual work to go. I’ve definitely chosen to rebalance the 4 panels in favor of the left 2 panels’ lighter balance of swooshes of colors.

Because, though my path is equally determined by what unknown happy accidents/revelations occur each time I touch the canvas, my equally determining choice of how to respond to each change on the canvas, is my final call. Even when it’s an “allowing” of a creative impulse to come through and determine how and what I apply new to my painting.

A strange partnership – creativity – between what’s inside me, and what materializes as colors and shapes and textures before me. Best of all, I’m learning to love it in the very personal way it is ☺️

I do want to address, in a “very” simplified manner, some ideas and issues about trying out this new format – polyptychs.

• what / who got me started thinking ’bout doing my own panels ( polyptychs )
  — mostly Joan Mitchell, and I’ll have more on that in the future; interesting stuff I think 😊
• how / why the larger size 4 piece panel painting ( only 1 done to date so far ) differs from the 2 smaller 3 piece panel works creatively for me
  — though I’ve only shown the 2 smaller 3 piece 6x6s from a distance in this post, and I will go into this more as I experience trying different sizes in this format, I can say simplicity ( in the smaller size ) vs complexity ( in the larger size); or as my son said at lunch recently talking about polyptychs, “It’s a matter of scale, handling it, scaling up.” He’s in finance and I have a feeling he knows/feels this applies across many disciplines.
• and where I see ( hopefully? ) this new-to-me approach heading
  — and this, I thought I knew the answer from the start, which was/is to create larger works using multiple canvases on hand. I’m beginning to see I may have entered the Twilight Zone 😊

Finally, our youngest girl, bringing over the now 9 year old, brought along a friend visiting from Belgium during SXSW, took a peek at my emerging art room, stopped, and said, “Oh, you’re an artist!” One of the nicest compliments I’ve had in years ❤️

Meanwhile, I feel very fortunate to have been able to get this post readied 🙏

Stay well everyone! Stay curious, stay creative 💕

Adan

ps – still no title for this piece; I’m thinking – “Mountains and Waves”

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• May 17, 2022 – I Have a Lot of Happenings ( art & personal ) This Week, But Still Finding Moments To Start a New Painting : Morning’s PromiseMay 17, 2022
  It’s nice to dance the surface of my canvas as needed. And able ☺️ And right now, a light step, at an easy pace, may give me the time – and energy – to get more than a handful of other needed things also done this week. Not a bad compromise. For now 😊
• May 16, 2022 – New Diptych : “Freedom” Almost Finished, Panels Need Signing ( front & back )May 16, 2022
  And what I’ve come across figuring out how to make prints of this that folks can work with, ie, close to or within standard size dimensions, was how to get a 22×28 image convert into – in 2 examples – an 8×10 or 12×18, and I came up with this as a starting prototype….
• May 15, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, “Spring Rising”May 15, 2022
  I’d done a lot of deep or darker night-like paintings for a bit, so it felt pretty nice to lighten up my palette for awhile. Working back & forth, from the two approaches – playing the potential good from both approaches seems to suit my Libra middle, lol!
• May 14, 2022 – My 1st Classical Stretch Workout with Miranda Esmonde-White ( via YouTube ) in Many Months!May 14, 2022
  Though similar to SilverSneakers’ classes, Miranda’s classes focus largely on making the fascia network in our bodies more fluid. Some movements are very similar, but more extended, dance-like, reflecting Miranda’s ballerina and dance background!
• May 13, 2022 – “Angel” in AVAA’s 1st Austin Art Space Gallery and Studio Group Show in a Long Time!May 13, 2022
  Just a very quick post to announce that my 18×24 inch acrylic on stretched canvas, Angel – has been accepted into Austin Visual Arts Association’s ( AVAA) 1st group show since ( I believe ) the pandemic. Definitely been a long time coming and feels great to be able to be showing with this long time Austin art association again! 😊
• May 12, 2022 – Updated My #Twitter Header Image and Pinned TweetMay 12, 2022
  Though Twitter’s future is up in the air, or ether, or virtual landscape; and my own “footprint” there and social media in general is micro-whatever, lol! — it’s still my micro existence, and I want to care for it best I can 😊
• May 11, 2022 – Reblog / Review : Joan Mitchell, “I carry my landscapes around with me” – #PolyptychsMay 11, 2022
  …my reading of Joan Mitchell’s work – while often including much of that same connection, speaks more directly to me about the impact of the canvas before me in that process. Especially most specifically in regard to Joan’s work with multi-panel / multi-canvas works of art – ie, polyptychs!

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Thanks again, everyone! 😊

Adan

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