Thursday I laid in the image below on 9×12 140 lb watercolor paper marked to 9×6.
Friday I finished the painting in the morning and uploaded it later in the day to Fine Art America after exercise class etc 😊
And earlier today, while at Buda Mercantile (no sales on a slow day, but met a few folks who liked my work and I feel may come back, I finished most of this how-I-got-there post on creating Floating Butterfly ❤️
It itself is a partial of a larger pen and ink I’d done and had printed at my local art-friendly printer here in Austin, Southside Printing. As I mentioned in an earlier post, we were experimenting with both laser and watercolor paper, the latter of which I’d brought to try.
The first sheet’s grain didn’t like the way it was inserted, literally lol! So this came out, the right side bent and the image cropped, so Harold the owner corrected the positioning and we then got a full printout of my pen and ink on the 2nd sheet. Good thing Harold knows how to figure these things out, I sure couldn’t!
But I figured, after my previous acrylic try on laser paper, I really needed to touch back with watercolor, thus deciding painting the 1st print out, before trying the larger 2nd sheet was best, and marked out my 6×9 sizing on the sheet.
As one can tell, my pen and ink sketch, Floating Butterfly, shows up really well and I felt it finished enough to upload to Fine Art America!
And the colors work well both within and on the lines.
It’s not that much different than my first acrylic try on laser paper, but enough so – probably from practice, and the medium matching the substrates for this style – I like it much more ❤️
And though the work is a little more restrained than I usually like to do, I thought I better get my painting-bearings back first then next time, play with having colors encompass the paper canvas, and let the lines act like cursive stained glass, lol! Kinda like Klee’s pic in my tweet in another post (included here again further below). At least that’s the theory 😊
Below is the same painting dabbed and played with yesterday morning. It’s warmer with tiny white accents plus a few more gold flowers. It just feels more complete now. Enough so it felt ok to upload the image to Fine Art America —
While below is a detail shot of Floating Butterfly in high resolution —
The white dabs are white gouache via M. Graham. Because of the honey content, the paint is always just moist enough to be easily malleable, yet dense enough to be opaque when needed.
And this, below, before I forget, lol, is my original pen and ink (Faber-Castell Pitt Artist Pen small, 0.3mm from my pack of 4 sizes). I really like the two smaller sizes, but the two larger mm pens have been handy to have!
The blue lines are from my Derwent Watercolor pencils. These marks are my exploratory lay-in. One can see I redid the ink lines somewhat differently. It really helped me get the lines where I liked, meaning where they felt good to me ❤️
I like most all my watercolor pencils, even sparingly as I use them, but the Derwents are very smooth on paper, leaving a nice line without undue pressure. Plus, very importantly – they wipe away very easily with the tiniest touch of water, or disappear beneath pigment 😊
There is so much potential in this line of art creativity for me, emotionally and creatively, I felt I really needed to get all this out. If for nothing else, to remind myself later on ☺️
Stay well everyone!
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- September 25, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, CompletedNot much difference between the previous post’s study version and the completed version above. As you can tell, from the 2nd duo sets of contrasts below, all I did was soften the upper slanting line separating red and white on the lady’s back. But for me, it….
- September 24, 2021 – New Most Viewed Image For the Week @FineArtAmerica, Ridges of Spring Light, #watercolor, painted late 2019I’ve recently been including Ridges of Spring Light in several of my blog posts about dappled light and masking fluid, not because it was meant to “be” dappled light, or that I used masking fluid creating it, though it does have three distinct areas of canvas (coated with absorbent ground to accept watercolors). No, Ridges of Spring Light contains a sense of dappleness, often created with masking fluid, and I used that image here to illustrate the idea that a variable sense of light sometimes just comes about, even in an abstract.
- September 23, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper, Masking Fluid RemovedThere’s a lot I like about how this looks with the masking fluid gone (removed prev night and slept on the shock of seeing the changes, lol!) – which doesn’t mean though I’m not looking at what to try to improve how I feel about this work 😊 Initially, 1st impression, I was determined to restore & “correct” some of the changes —
- September 22, 2021 – Walking in Dappled Light Study 1, #Watercolor on Paper; 1st Paint Lay-in with Masking FluidAt 9×12 on 140lb x watercolor paper, I was able to use my brushes fairly effectively where I wanted them, and applied some Turner masking fluid (with a thin palette knife) “fairly” easy. And yes, some foot proportions are off a bit, lol, and her back blouse almost looks like it’s the front, but all in not too bad toward my primary priority – quickly achieve some degree of dappling look. Once the masking fluid comes off though, it could be very different….
- September 21, 2021 – Initial Review of “Breath: The New Science of a Lost Art” by James NestorI’d been doing a day to day posting of a continuing study-sketch project with figures in a watercolor landscape and ran into a time roadblock – grandchild, groceries, fitness (walking, yoga, Essentrics), picking up line art to practice-paint at my printer, etc 😊 and wasn’t able to wiggle any more time to work on that project and write about it, so… I took a deep breath and picked up a book (virtually, via my Kindle Reader, lol!) The editorial reviews often mentioned this read like a novel & my intro and beginning pages already confirm that.
- September 20, 2021 – Dappled Light, “Figures in a Landscape Study” Still Not Done, But, Already a Learning Tool For Me!“Learning Tool for Me” is part of my blog title today simply ’cause I’ve looking at this post as specifically geared to get me where I wanna go – keeping in mind my destination is a generalized abstraction of image / feeling / and intuitive aspiration (hopefully including figurative work) & it’s reached a point of development over my previous renditions that I now need to put my resolve into concrete, hopefully creative, useful thoughts for my future directions. Lot of contradictions. Like life. Like me 😊 Here goes (for now) —
- September 19, 2021 – Dappled Light, “Figures in a Landscape Study” ContinuedJust a quick post updating yesterday’s release showing what I’ve changed/added on to a watercolor on paper I’d 1st posted about on Sept 7th…A bigger factor in today’s image update is the addition of more “white”.
Thanks again, everyone! 😊