Though there’s few paintings I keep over an extended time to hopefully work on later – I’ve a Manhattan cathedral oil from 2010, several small oils from 2018-19) – Lady in Paris 1889 is unique in being a larger size (20×20) and acrylic.

Having a canvas (vs paper or panel) and it being larger than my usual the last several years, is allowing me to be more expressive with my brush. I’m probably literally still working too small a brush. But being acrylic (mostly via Arteza, who makes many of the watercolors I also use) also gives me huge leeway in terms of being able to cover previous work, since it dries so quick – thus it’s own advantage on top of what I’ve usually perceived as it’s most disadvantage – no surprise, it dries too quick, lol!

The change from where I left off last year to now (see below) is a little scary, but exhilarating ♥️

In fact, having the choices to be creative with so many mediums (digital to oil to acrylic to watercolor) is proving to be less a hindrance for me, for me anyways, than a boost in exploration & creativity. I’ve allowed myself more freedom to be, well, “almost” surrealistic – at least that’s how this painting is shaping up for me so far. Maybe I can blend the softness I prefer with that style look (or feel)? We will see 😊

Reminds me of what it must be like for two artists’ work I admire and enjoy hearing how they operate : Margaret Hall (versions in various media) and Tiffany Arp-Daleo (mixed media) and Francisco Bravo Cabrera (music and art, often fused together), each of whom I’ve articles about 💕

I may not be able to do much more than a bit more on it later today, but that’s ok. 😊

I’ve much to do with our upcoming move (put in address change via USPS yesterday), plus need to pick my pace back up with my digital line art’s with washes joined to my poems/gift writings.

And looking back at my blog posts and beginning this painting (listed individually below), I realized it was the 1st time working on this acrylic Paris painting in nearly a year! That happens sometimes. And I’m not feeling pressed to finish this any time soon. I feel there’s too much still revealing itself to me ’bout how this is to be painted.

That’s been true of this work since the beginning, when what’s now a “lady” was a bush, lol!

Maybe this particular painting is its own continual April Fool’s prank on me ☺️

Continually, pleasantly, surprising me ♥️

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I’ll be changing focus for a bit to get a new Volleyball writing up, so til then –stay safe, enjoy! 💜

Adan

ps – here’s the posts I could find from last year re starting Lady in Paris 1889 (the year the Eiffel Tower opened)

Aging Gracefully – Through Covid-19 – New Paris Paintings In-Progress: Lady in Paris 1889, Paris Arm Chair View (July 02, 2020)

Aging Gracefully – Through Covid-19 – New Paris Painting In-Progress: Lady in Paris 1889, Details One Week Apart (July 08, 2020)

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My Latest Posts On My Website!

• May 18, 2022 – Places In or Near Austin Texas You Can See and Buy My Prints ( Art and Photography ) #PrimalGallery #OldBakery&EmporiumMay 18, 2022
  Prints have consistently out-sold my originals if for no other reasons than they are less expensive and usually have more items to choose from. Not bad reasons at all 😊 What I want to do now though is, begin to –
• May 17, 2022 – I Have a Lot of Happenings ( art & personal ) This Week, But Still Finding Moments To Start a New Painting : Morning’s PromiseMay 17, 2022
  It’s nice to dance the surface of my canvas as needed. And able ☺️ And right now, a light step, at an easy pace, may give me the time – and energy – to get more than a handful of other needed things also done this week. Not a bad compromise. For now 😊
• May 16, 2022 – New Diptych : “Freedom” Almost Finished, Panels Need Signing ( front & back )May 16, 2022
  And what I’ve come across figuring out how to make prints of this that folks can work with, ie, close to or within standard size dimensions, was how to get a 22×28 image convert into – in 2 examples – an 8×10 or 12×18, and I came up with this as a starting prototype….
• May 15, 2022 – My Most Viewed Image this Past Week @FineArtAmerica, “Spring Rising”May 15, 2022
  I’d done a lot of deep or darker night-like paintings for a bit, so it felt pretty nice to lighten up my palette for awhile. Working back & forth, from the two approaches – playing the potential good from both approaches seems to suit my Libra middle, lol!
• May 14, 2022 – My 1st Classical Stretch Workout with Miranda Esmonde-White ( via YouTube ) in Many Months!May 14, 2022
  Though similar to SilverSneakers’ classes, Miranda’s classes focus largely on making the fascia network in our bodies more fluid. Some movements are very similar, but more extended, dance-like, reflecting Miranda’s ballerina and dance background!
• May 13, 2022 – “Angel” in AVAA’s 1st Austin Art Space Gallery and Studio Group Show in a Long Time!May 13, 2022
  Just a very quick post to announce that my 18×24 inch acrylic on stretched canvas, Angel – has been accepted into Austin Visual Arts Association’s ( AVAA) 1st group show since ( I believe ) the pandemic. Definitely been a long time coming and feels great to be able to be showing with this long time Austin art association again! 😊
• May 12, 2022 – Updated My #Twitter Header Image and Pinned TweetMay 12, 2022
  Though Twitter’s future is up in the air, or ether, or virtual landscape; and my own “footprint” there and social media in general is micro-whatever, lol! — it’s still my micro existence, and I want to care for it best I can 😊

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Thanks again, everyone! 😊

Adan

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